1.
With the appearance of primitive belief came the dances of totem, sorcery, and sacrificial ceremony.
随着原始信仰的出现而形成了图腾舞蹈、巫术舞蹈、祭祀舞蹈，
2.
Later the dance was used to praise the virtues and achievements of Huangdi, and then became a sacrificial dance in ancestral ceremonies asking for ample harvests.
以后又用来讴歌黄帝的功德，作为祭祖和祈求丰收的祭祀舞蹈。
3.
Interpretation of characteristics of primitive religion sacrifice,Sa Man Dance of Xinjiang ancient times Turkic Group;
新疆古代突厥语族原始宗教祭祀舞蹈——撒满舞特征解读
4.
The Primitive Religion Sacrifice Dance and Its Cultural Characteristics of Chuang in the Red River Basin;
红水河流域壮族原始宗教祭祀舞蹈及其文化特征
5.
Explore Primitive Dancing through Three Chinese Characters "巫、舞、雩"
从“巫、舞、雩”解说远古祭祀活动中的舞蹈
6.
A Tentative Analysis of the Relationship between Music and Dance in Sorceress Jumping on Handle of the Big Dipper, a Sacrificial Sorcerous Dance of She Nationality;
畲族祭祀巫舞《奶娘踩罡》音乐与舞蹈的关系初探
7.
Dancing particularly was an essential part of all religious ceremonies;
舞蹈尤其是一切宗教祭祀的主要组成部分；
8.
Folk dances usually contain elements of religion and belief, as well as rituals and ceremonies.
民俗舞蹈一般都含有宗教信仰、祭祀礼仪的因素，
9.
The Folk Dance "Liu Hai Plays with JinChan" and The Relationship of Religious Worship;
民间舞蹈“刘海戏金蟾”与宗教祭祀的关系
10.
The Folk Dance of Yunnan s Yi Ethnic People in the Sacrifice and Funeral Rituals;
云南彝族祭祀祈神及丧葬活动中的民间舞蹈
11.
"Shaman Dance"is performed by Shaman (witches) in praying to gods, sacrificing, dispelling evils and curing diseases.
萨满舞是萨满(即巫师)在祈神、祭祀、驱邪、治病等活动中表演的舞蹈，
12.
On the Sacrifice Function of Tujia Hands Waving Dance
土家族摆手舞的祭祀功能初探——土家族民间舞蹈文化系列研究之八
13.
The Analysis and Comparison between Folk Sacrificial Dance in Baima and Huangnan--A Collateral Evidence on the Ethnical Genealogy of Baima People
白马和黄南地区民间祭祀性舞蹈分析比较——旁证白马人的族属问题
14.
The fishermen who make a living on the sea have dances relating to the ocean species and the gods of the sea (one most famous goddess is the Mazu worshipped along the southeastern coast).
依海为生的渔民，则有各种表现水族的舞蹈和祭祀海神(如东南沿海的妈祖)的舞蹈，
15.
Shallow to Discuss Tujia Prevailing Custom of Offering Sacrifices of Dancing;
析土家族舞蹈中的祭祀风尚——土家族民族民间舞蹈文化系列研究之六
16.
It has become a kind of pure male dance, with a hitching post and horse bells as stage props.
"跳马夫"从求神祭祀而转化为男子舞蹈的形式，"马扦"与"马铃"也就成为该舞的道具。
17.
The dance of "Running Horse"is prevalent in Rudong, Jiangsu Province, performed in sacrifice ceremonies to the "Dutianwangye"they believe in.
"跳马夫"流传于江苏如东一带，是祭祀他们所信奉的"都天王爷"时跳的舞蹈。
18.
The dance reflects the production customs of the forests, and also pays tribute to the god of their trade in the hope of safe production and prosperous trade.
这种舞蹈反映林区的生产习俗，也有祭祀行业神--祈求生产安全、行业兴旺发达的内涵。