1.
On the Formation of the Objective and Realistic Form of Modern Chinese Theatre;
论中国现代戏剧客观写实戏剧形态的形成
2.
On Jin Dynasty s Dramas;
金代戏剧形态研究——兼考《辍耕录》“院本名目”
3.
My View about How Chinese Operas Have Absorbed and Assimilated the Indian Culture;
试论中国戏剧形态对印度文化因素的兼容与吸收
4.
The Twin between Popularity and Vanguard,Criticising Mingling with Deep Thought --On the Richness of the Drama Form of the Thunderstorm;
通俗与先锋孪生 批判与冥想交织——《雷雨》戏剧形态的丰富性
5.
The Song for the Gongmo Kerchief Dance and the Form of the Drama of Chinese Theatre in Their Early Phase;
《巾舞歌辞》与中国早期戏剧的剧本形态
6.
Alienation Effect: Exposing Drama as Ideology;
陌生化:揭露戏剧的“意识形态”属性
7.
Linguistic Reform and the Early Forms of Modern Chinese Dramas
语言变革与中国现代戏剧的初期形态
8.
The Characteristics of Chinese Dramas From the Performance of Ceremony Drama In Shanxi;
从山西仪式剧的演出形态看中国戏剧的特点
9.
The Epic Theatre and The Theatre of Cruelty:The Ideological Criticize of the Mo dern Theatre System
史诗剧场与残酷戏剧:现代剧场政体的意识形态批判
10.
Being for the Drama--the Space Forms for Drama and Theatre;
为戏剧而存在——戏剧与剧场的空间形式
11.
King Lear: A Play Where Various Ideologies Meet;
《李尔王》：一部交织着多种意识形态的戏剧
12.
Folk Dance Music of Ball Tossing and Its dramatic Art Forms;
民俗乐舞《抛球乐》及其戏剧化的艺术形态
13.
A New Perspective of the Status of the Tanghui Drama in the Ming and Qing Dynasties;
戏钱与赏封——考察明清堂会演剧形态的别一视角
14.
An Ideological Opinion --On Althusser s Theatrical Reviews;
一种意识形态的主张——论阿尔都塞的戏剧批评
15.
An Anthropological Review on the Development of "Maogusi" Drama of the Tujia People
“毛古斯”戏剧表现形态历史衍变的人类学考察
16.
3.Dramatic Form and Language
三.戏剧形式和语言。
17.
dramatic changes in the international situation
国际形势的戏剧性变化
18.
From Southern Opera to Zhengzi Opera and Baizi Opera:a Preliminary View of the Formation of Chaozhou Opera;
从南戏到正字戏、白字戏——潮州戏剧形成轨迹初探