1.
On the Contribution of Dramas and Novels in Qin Dynasty to the Development of Literary View;
试论清代戏曲、小说对文学史观的贡献
2.
Selecting in Drama Adapted from Novel Source from Qing Dynasty’Liaozhai Drama;
从清代“聊斋戏”看戏曲改编对小说素材的选择性
3.
The Operas about The Dream of the Red Chamber in Qing Dynasty:Reception and Misunderstanding;
清代红楼戏曲:文本意义的接受与误读
4.
Examination on the First Drama and Quyi Works Regarding A Dream of Red Mansions in the Qing Dynasty
清代首部“红楼戏剧与曲艺”作品五考
5.
On Interpretation and Acceptation of Feminine s Dramatic Creation Theories in the Ming and Qing Dynasties--From a Perspective of the Preface and the Postscript to the Drama;
明清女性戏曲创作理论的诠释与接受——以古代戏曲序跋为例
6.
A Comparison between the Chinese classical fiction and One of the traditional Opera;
正本而清源——中国古代小说、戏曲起源之比较研究
7.
The Studying of the Problem Concerning Grandmother Liu in the Dramas Which adapted from The Dream of the Red Chamber
关于清代《红楼梦》戏曲中刘姥姥问题的探讨
8.
The Development of Opera Music during the Song-Yuan period and Ming-Qing period;
宋元戏曲音乐与明清戏曲音乐之发展
9.
The great contributions made by Changshu in Qing Dynasty to the history of traditional opera are Poetic Drama at All Times and Sixty Melodies.
清代常熟在戏曲史上的重大贡献在于保存了《古今杂剧》和《六十种曲》。
10.
Models for "Dramatization"and"Modernization"in the Current Dramatic Works;
当代戏曲“戏曲化”与“现代化”的范例
11.
"The earliest notations for Chinese opera date from the Qing period. Notations for Kunqu and Beijing Opera texts use only gongche notation, and. only the vocal part is notated."
最早的中国戏曲乐谱出现于清代。昆曲和京戏记谱采用的是工尺记谱法，而且只记唱段。
12.
A Special Literary Phenomenon in the Qing Dynasty:The Integration of Chinese Drama and Eight-part Essay;
清代特殊的文学现象:戏曲与八股的契合——以《西厢记》制艺为例
13.
The Contradiction and the Concessions between the Act and the Human Feelings--About the environments of existence and the methods for existence of the novels and dramas in Qing Dynasty;
法令与人情的对立与妥协——清代小说戏曲的生存处境与生存策略
14.
From the Jiaofang Office,to the Nanfu Agency,and to the Shengpingshu Administration --An Introduction to the Three Managerial Periods of the Palace Opera in the Qing Dynasty;
从教坊、南府到升平署——清代宫廷戏曲管理的三个时期
15.
Refined and Popular Styles of the Qing Drama--A Case Study of Different Criticisms at Dramatists You Tong and Li Yu;
论清代剧坛的雅俗之辨——以尤侗、李渔戏曲的不同毁誉为例
16.
The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics;
戏曲艺术精神与戏曲现代化——张庚戏曲美学思想初探
17.
Theory on the traditional opera temperament by Shen Chongsui;
沈宠绥的戏曲声律论──江苏古代戏曲家研究之五
18.
On Preface and Postscript in Yuan Dynasty Opera for Building Opera Theory
论元代戏曲论著序跋在戏曲理论建构中的功用