1.
Ji Kang in the View of Ecological Aesthetics
生态美学视野中的嵇康——试论嵇康美学的生态智慧及其当代意义
2.
Aesthetic Ideology against Confucianism in Jikang s Sound without Dirge;
嵇康《声无哀乐论》中反儒学的美学思想
3.
On Ji Kang s Philosophical and Aesthetic Thought that Music Embodies no Emotions;
论嵇康“声无哀乐”的哲学美学思想
4.
Ji Kang:Taoism or Confucianism--A critical review of his thoughts of music esthetics;
嵇康是“儒”还是“道”——评嵇康音乐美学思想的影响与贡献
5.
On life ideal and it’s Aesthetic meaning of Jikang and Ruanji;
嵇康、阮籍的人生理想及其美学意蕴
6.
The Harmony Aesthetical Ideology in Ji Kang s No Sadness in Music;
论嵇康《声无哀乐论》的“和”美学思想
7.
On JI Kang s Life Aesthetics;
“任自然”的“逍遥”——嵇康人生美学试析
8.
On Music is Irrelevant to Grief or Joy-Analysis of Ji Kang' Music Aesthetics
从《声无哀乐论》看嵇康的音乐美学思想
9.
Distinguishing Orang From Tangerine--The Comparison of Ji Kang s Musical Aesthetic Idea with Hanslick s Under the Different Philosophicai Background;
橘枳之辨——嵇康与汉斯立克的音乐美学思想比较
10.
Ji Kang s Ideology of Music Aesthetics;
和声无象 哀心有主——论嵇康的音乐美学思想
11.
A Study On “Sounds Neither Sad nor Happy” --From the Perspective of JI Kang s Aesthetic Thoughts;
“声无哀乐”之我见——从嵇康的音乐美学思想谈起
12.
On the aesthetic derception of Ruanji and Jikang s theory "Natural Beauty Byond Confucianism;
试论阮籍、嵇康“越名教而任自然”的美学意蕴
13.
The Collision Between Outlooks on Life of Metaphysics;
两种玄学人生观的碰撞——读嵇康嵇喜的赠答诗
14.
Touring Spirit to the Great Void and Self-willing Personality in Daily Life--On Ji Kang s Personality and Its Aesthetic Meaning;
游心太玄与任性宇内——论嵇康的人格特征及其美学意义
15.
Aesthetic Conceptions Seen through Ji Kang s Poems;
从嵇康诗中透视魏晋士人的审美理想
16.
Exploration of Ji Kang s Music Ideology and Analysis of Its Aesthetic Meanings;
嵇康音乐思想探源及其审美意义浅析
17.
On the Otherness of the Musical Aesthetic Subject--From Ji Kang s Perspective of The Music is Irrelevant to Grief or Joy of;
从嵇康《声无哀乐论》看音乐审美主体的差异性
18.
Discussion of JI KangDiscussion of JI Kang s Thought on Personality;
目送归鸿 手挥五弦——论嵇康的人格美思想