1.
A Preliminary Study of the Illusionary Thinking in Literary and Artistic Creation
文艺创作中的感知错觉艺术思维初探
2.
vision is the first headspring of wisdom,especially,the creative thinking is carried on through the image. The combination of lingual thinking and visual thinking fills in the gaps between the sensibility and logos,aesthesia and thinking,arts and science.
语言思维与视觉思维的结合,弥合了感性与理性、感知与思维、艺术与科学之间的裂缝。
3.
Free Design from Expression of Art Feeling;
设计的自由源于艺术感觉的表达——再论“纯艺术”对“艺术设计”思维意识的拓展
4.
Three-dimension tactile sensing array based on MEMS;
基于MEMS技术的三维触觉感知阵列研究
5.
"It produces changes in perception (ranging from distortions in what is sensed to perceptions of objects where there are none), thought, and feeling."
迷幻药能改变人的知觉(对一个根本不存在的客体产生的错误体验)、思维和情感。
6.
An artist whose work is marked by illusionism.
运用错觉艺术手法的艺术家作品显现错觉艺术手法的艺术家
7.
Illusionism in art.
魔术手法艺术上的错觉艺术手法
8.
CREATION ABILLTY OF THE REPRESENTATION, THE THOUGHT, THE EMOTION AND THE IMAGINATION RAISE AND ENHANCES;
表象、思维、情感与艺术创作的想象力
9.
Elementary Discussion of Imagination and Associate Training in Visual Art Thinking;
浅谈视觉艺术思维中的想象与联想训练
10.
Does not Conform to Conventional Pattern,Shallowly Discussed the Post-Modern Vision Art in the Creative Thinking
不落俗套——浅谈后现代视觉艺术中的创造性思维
11.
Knowledge Economy Appeals to the Development of Creative Thinking for Art Design;
知识经济呼唤艺术设计的创新思维培养
12.
On the Aesthetic Idiosyncrasy & Artistic Thought of Brahms Piano Music;
勃拉姆斯钢琴音乐的美感特质及艺术思维
13.
You have done well, Lord Vader.And now I sense you wish to...
你做得不错，维达，现在我感觉你希望...
14.
"The art of painting is the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language."
绘画艺术利用两维视觉语言创造出美的特征，从而表达情感和观念。
15.
A system of realistically depicting three-dimensional objects or views onto two-dimensional, flat surfaces through convergent lines and planes.
以现实的手法，在两维的平面上，利用线和面趋向会合的视错觉原理刻画三维物体的艺术。
16.
The Artistic Aesthesia Elements in The Book of Changes--from "watching for images" to "perceiving about affections";
论《周易》中蕴涵的艺术知觉元素——从“观物取象”到“感物道情”考察
17.
Another Interpretation of The Last Leaf;
错位认知下的艺术母题及生命之思——《最后一片叶子》的另一种解读
18.
On Yitianhetian(以天合天) and Sudden Understanding;
“以天合天”与“妙悟”之我见——中国古代艺术领域直觉思维理论溯源