1.
The Aesthetic Concept of Fu Shan’s Calligraphy;
从书——道关系看傅山的书法审美理念
2.
Influences of Aethetic Mentality on the Idea of Calligraphy Appreciation in the Han Dynasty;
审美心理结构对汉代书法审美理念的促成
3.
Being Observed Advocation Artistic Conception of Calligraphy in Song Dynasty from Calligraphy of SuShi;
从苏轼书法看宋代书坛的“尚意”审美观
4.
Aesthetic Seeking of Calligraphy in Later Han Dynasty and Cause of Its Aesthetics Walked to Independence;
汉末书法的审美追求及审美走向独立的成因
5.
New Visual Aesthetics of Traditional Chinese Calligraphy;
中国传统书法艺术的新视觉审美倾向
6.
Learning from Shi Shuo Xin Yu the Aesthetic Value of the Calligraphists in the Wei Dynasty and the Jin Dynasty;
从《世说新语》看魏晋书法的审美取向
7.
"Gu(the strength of character)" and "Shi(The energy and emotion)"--The aesthetic pursuit of the Wei and Jin Calligraphy
“骨”与“势”——魏晋书法的审美追求
8.
Assembling the Beautiful and Abandoning the Ugly and Pursuing the Ugly--Two Aesthetic Courses of Chinese Calligraphy;
集美弃丑与求丑——中国书法的两种审美进程
9.
There are four kinds of means about penmanship and painting art's aesthetic consideration of nature.
书法艺术和绘画艺术对大自然的审美观照方法一般有四种:一是对审美客体外观的审美追求;
10.
Expressing one′s emotion and will is the function of handwriting′s aesthetics function. Advocating and reaching the truth is handwriting′s great bourn.
抒情言志是书法的审美功用 ,尚道成道是书法的大境界 ;
11.
Calligraphy's Aesthetic Form and Cultural Connotation Transmutation Seen from the Viewpoint of "Effect of Exhibition Room"
由“展厅效应”看书法的审美形式与文化内涵嬗变
12.
Influence of Aesthetic Character of Calligraphy Art on Modern Packaging Design;
论书法艺术的审美特征对现代包装设计的影响
13.
A tentative study on the modern features and aesthetic teaching method of university library;
浅谈高校图书馆的现代特征及审美教育方法
14.
The Use of Chinese Handwriting Art in Modern Plane Design;
中国书法艺术在现代平面设计中的审美
15.
Effective Means of Enriching the Experience of Calligraphers’ Aesthetic Taste of Our Time;
论当代书法家丰富审美经验的有效途径
16.
Factors in the Formation of Individualized Calligraphy and Its Aesthetic Characteristics;
晚明个性化书法风格形成的因素及审美特质
17.
On the esthetic theory and calligraphy art of Fu Shan, enlightening ideologist of 17th century
论17世纪启蒙思想家傅山的艺术审美理论及书法艺术
18.
Floating Line, Solidifying Note --The same Sense Perception between Music and calligraphy
流动的线条 凝固的音符——音乐与书法的审美通感比较