1.
The Imperil Examination--just like the Roll of Chinese Ink and Wash --the impressions of Ships、Swords and the Imperil Examination writtenby Liu Haifeng
科举制度:中国历史水墨画长卷——谈刘海峰教授《船、剑与科举》
2.
On the Art of Scattered Perspective in Chinese Paintings--Concurrently comment on the ink and wash painting of the No. 1 Camphor Tree in Zhejiang
论中国画散点透视的艺术性——兼评水墨长卷《浙江第一樟》
3.
Study on the Development of Ink Image and Figure Paintings;
水墨墨象与水墨人物画演进历程试探
4.
The Utilization of Chinese Ink Painting in Ink Animation
浅谈中国水墨画在水墨动画中的运用
5.
" Ink is the traditional painting medium of China and Japan, where it has been used with long, haired brushes of wolf, goat, or badger on silk or absorbent paper."
水墨是中国及日本的传统绘画材料，画笔为狼毛、羊毛或獾毛的长毫画笔，画常作在丝绸或宣纸上。
6.
A thin layer of water color or India ink spread on a drawing.
画上的薄层水彩或墨汁
7.
His green-color landscape paintings, such as the Jian Pavilion, are marked by vigorous strokes and bright colors.
他的山水画以青绿山水见长，笔墨细润，风骨劲峭，色彩浓丽，如《剑阁图》。
8.
Research on Computer Simulation of Diffusion of Chinese Ink Paint
水墨画计算机仿真的墨扩散效果研究
9.
He outlined the drawings in black ink.
他用黑墨水勾画出那副画的轮廓。
10.
Song and Yuan Style Ink Pen and Ink Landscape Painting Tradition and Innovation
宋元水墨山水画笔墨风格的继承与创新
11.
" Chinese traditional painting is done with a soft brush, absorbent Xuan paper, and ink, which is why it is sometimes called ink-and-wash painting."
中国传统绘画工具有毛笔，宣纸和墨，因此，中国传统绘画又叫水墨画。
12.
She blotted the paper with ink spots.
她在试卷上弄上了墨水点。
13.
About the Coloring View on Ink and Wash,the Mainstream of Chinese Landscape Painting;
浅析中国山水画“水墨为上”色彩观
14.
On the Idea of Vigor Appeal of the Chinese Ink and Wash Landscape Paintings;
关于中国水墨山水画艺术的“气韵”说
15.
Automatic rendering for Chinese landscape painting using texture synthesis
基于纹理合成的水墨山水画自动绘制
16.
The Skills of Paintings of Traditional and Modern Mountains-Waters --On the Development of Painting Skills;
传统山水画与现代山水画——试论笔墨的发展变化
17.
On the Difference and Similarity between Chinese Ink-and-Water Painting and Western Water-color;
试比较中国水墨画与西洋水彩画之异同
18.
Double Vision of Water-Ink Animation,Empirical Analysis and my Meager Opinion about Contemporary Survival of Water-Ink Animation
水墨动画的两重视野——水墨动画经验分析和当代生存刍议