1.
The Song for the Gongmo Kerchief Dance and the Form of the Drama of Chinese Theatre in Their Early Phase;
《巾舞歌辞》与中国早期戏剧的剧本形态
2.
Analysis of the Ideological Pattern of Comic Sketches--A Case Study of Huang Hong and Zhao Ben-shan;
喜剧小品的意识形态分析——以黄宏、赵本山为例
3.
On Jin Dynasty s Dramas;
金代戏剧形态研究——兼考《辍耕录》“院本名目”
4.
On the Formation of the Objective and Realistic Form of Modern Chinese Theatre;
论中国现代戏剧客观写实戏剧形态的形成
5.
The Characteristics of Chinese Dramas From the Performance of Ceremony Drama In Shanxi;
从山西仪式剧的演出形态看中国戏剧的特点
6.
The Epic Theatre and The Theatre of Cruelty:The Ideological Criticize of the Mo dern Theatre System
史诗剧场与残酷戏剧:现代剧场政体的意识形态批判
7.
An Eco-critical Reading of Three Chinese Plays;
生态批评与中国生态戏剧——对三个戏剧文本的生态主义批评
8.
The Northern Song Tsa-chu"Mulian Saving His Mother"Is A Ritual Play;
北宋《目连救母》杂剧的表演形态刍议
9.
On the Form of Musical Organism in Dance Drama--Sacrifice to Spring;
舞剧《春之祭》的音乐组织形态初探
10.
Alienation Effect: Exposing Drama as Ideology;
陌生化:揭露戏剧的“意识形态”属性
11.
On the Narrative Models of the Female Existence in the 1990s Teleplays;
论1990年代电视剧女性生存的叙事形态
12.
The brief research on the musical modality in “playing with kids” in the extinct drama of Henan province;
河南濒灭剧种中“耍孩儿”音乐形态考略
13.
Linguistic Reform and the Early Forms of Modern Chinese Dramas
语言变革与中国现代戏剧的初期形态
14.
It combines in forms the traits of Chinese and foreign plays, and constructs the basic form of the one-act play of the modem drama in the period of May 4th Movement.
在戏剧形式上融会了中外戏剧的特点，建构了“五四”时期话剧独幕剧的基本形式。
15.
he reviewed the play unfavorably.
他对这个剧本持否定态度。
16.
he reviewed the play favorably.
他对这个剧本持肯定态度。
17.
Iceberg Phenomenon in Dialogues of TV Play;
电视剧对白中的“冰山”现象——电视剧潜台词的表现形态
18.
The Comedy Aesthetics of Tragic Life;
悲剧人生的喜剧审美——论六朝士人的生命自救形态