1.
Folklore Function and Humanity Spirit in Painting Narration of Han Dynasty;
汉画图像叙事中的民俗功能和人文精神考察
2.
The Research about the Character of Fuxi and Nvwa s Image in the Han Dynasty s Stone Relief;
汉代画像石上伏羲女娲图像特征研究
3.
The Anthropological Value of Portrayal in the Han Dynasty;
汉代画像石图像中的文化人类学价值
4.
"The Carriages and Hoarsening on a Journey"of Stone Statue in the Han Dynast Composition in Drawing Form;
汉画像石“车马出行图”的构图形式
5.
The Cosmo-Symbolism in the Portraiture of Han Dynasty and its Aesthetic Signification
汉画像宇宙象征主义图式及美学意义
6.
Study on Two Han Stone Relieves Carved with Auspicious Sign, Haining City, Zhejiang Province;
浙江海宁汉画像石墓两幅祥瑞图考辨
7.
paint a picture, a portrait, a still life, etc
画图画、 肖像画、 静物画等
8.
The Nanyang Chinese Draws the Statue Image Development Evolution and the Craft Research;
南阳汉画像石图像发展演变暨工艺之研究
9.
The Formation and Evolution of the Image of Animal-faced Ornament on Doors in Han Dynasty;
汉代画像石中铺首衔环图像的形成与演变
10.
Religious Consciousness in Stone Relief of the Han Dynasty;
江苏汉画像石动物图像的宗教意识思考
11.
The Development Process and Features of XiWangMu Image of Han Dynasty Stone Relief
汉代画像石中西王母图像的流变及特征
12.
Dissection on Art Model of "Three-body and One-head Fish" Picture of Portrait Stone of Han Dynasty
汉画像石中“三鱼同首”图像的艺术造型辨析
13.
Taoist Thought of Health Preservation in The Book “Shen Nong s herbal classic” and Han Dynasty Stone Portraits Depicting Celestial and Elixir;
《神农本草经》的道家养生思想与汉画像石中的羽人仙药图
14.
To Describe the Essence from Its Appearance and to Achieve a Perfect Combination between Its Appearance and Its Essence On the Design Art of Nanyang Stone and Brick Carvings in Han Dynasties;
以神写形 以形传神——论南阳汉画像砖石图案审美艺术
15.
suggesting or suitable for a picture; pretty as a picture.
使人想起图画或者适合图画；像图画一样漂亮。
16.
The art of painting miniatures.
微型人像（或图画）绘画术画微型画的艺术
17.
Interpretation of the Han Stone Relief of "Han s Continuing Emperor Yao s Luck" in Wu s Memorial Temple;
武氏祠中“汉承尧运”的汉画像解读
18.
Many animal stone paintings and reliefs of the Han dynasty revealed both the elements of primitive religion, tribal totem or ethnic belief in their creativity and other deep?rooted religious consciousness.
汉画像石的动物图像不仅仅表现出原始宗教的影响,而且也表现出浓郁的宗教意识。