1.
A review of research on Adorno s aesthetics in the 1990 s in China;
阿多诺美学:西方文论研究的新亮点——20世纪90年代“阿多诺美学”研究述评
2.
Rebirth and Transcendence of T. W. Adorno s Aesthetics in Post-Modernism Context;
后现代语境下阿多诺美学的复兴与超越
3.
Three Concepts in Adorno's Aesthetics:Constellation,Enigma,and Mimesis
星丛、谜语和模仿:阿多诺美学思想的三个命题
4.
Ugliness, Negation of Reality and Salvation of Humanity
丑:现实的否定和人性的拯救——阿多诺美学思想片谈
5.
The minimun harmony --On Theodor Weisengrund Adorno s aesthetic thinking;
最低限度的和谐——论阿多诺的美学思想
6.
On Adorno s Aesthetic;
艺术·否定·社会——论阿多尔诺的美学思想
7.
When Siren Encountered Odysseus:on Adorno's Aesthetics of Music
当塞壬遭遇奥德修斯——论阿多诺的音乐美学
8.
The Freedom of Appreciating the Beautiful:the Cognitive Meaning of Content and Form-- Adono s Opinion on the Aesthetic Features of Modern Art;
审美自由:内容与形式的认识意义——阿多诺论现代艺术的美学特征
9.
Aesthetics Thoughts on the Adorno s Cultural Industry Theory and the Criticism of Chinese Popular Culture;
关于阿多诺文化工业理论与中国大众文化批评的美学思考
10.
On the Modern Enlightenment of Adorno s Negative Aesthetics and Its Significance for Literary Creation;
阿多诺否定美学的现时观照及其对文艺创作的意义
11.
Recovering the Nature s Charms:On Adorno s Natural Beauty Outlook;
还自然之魅——论阿多诺的自然美观
12.
Aesthetic Dialectics: Jauss s Transcendence over Adorno;
审美的狡黠——姚斯对阿多尔诺的超越
13.
Artistic Construction:Modern Aesthetics in the Structure of Aesthetic Cltural value --On the Developing Direction of T.Adorno s Aesthetic Theory;
艺术建构:审美文化价值结构中的现代性美学——论阿多诺审美理论的发展方向
14.
As an important member of Frankfurt School, Adorno studied profoundly the modern art and media culture.
阿多诺的否定性美学与康德的美学观念、代主义艺术、众文化之间有着密切的联系。
15.
The Art Is Convinced When It Casts Off Definiteness--The Critical Commentary About T.W.Adorno Aesthetic Theory To Kant s Definite Aesthetics;
艺术可信,当它摆脱确定性时——阿多诺《美学理论》对康德确定性美学批判述评
16.
Adorno s Philosophy of Modernity in the Post Modernist Context;
后现代语境下的阿多诺的现代性哲学
17.
Adorno’sThoughtAbouttheBasicQuestionsofKant’sMoralPhilosophy
阿多诺论述康德道德哲学的基本问题
18.
Construct Aesthetic Utopia by Negating and Criticizing Reality --Comment on Adorno s Negative Points about Aesthetics;
在对现实的否定与批判中营造审美的乌托邦——评阿多诺的否定美学观