1.
The History and Present Situation on Study of Yuefu Songs and Poems of Weijin and Northsouth Dynastys in 20~(th) Century;
20世纪魏晋南北朝乐府歌辞研究历史与现状
2.
Interpret on the topic of Xianghe ballad in yuefu poetry;
《乐府诗集》“相和歌辞”题解释读
3.
On "Libretto Moulding" in BAI Ju-yi s Work of "Xinyuefu"--From a Perspective of Artistic Comment;
白居易《新乐府》的“歌辞造型”——兼论其艺术性的评价问题
4.
A Phonic and Semantic Analysis of “诵”and the Musical Feature of Chuci(Elegies of Chu);
“诵”字的音义辨析与楚辞的歌乐特质
5.
The town band led off by playing the National Anthem.
市府乐队首先奏国歌。
6.
Compilatory Theory and Practice about 《Dictionary of Songsand Ballads in Han Style Classical Poetries》;
《汉乐府古辞词典》编纂的理论与实践
7.
An Exploration of the Creating Styles of Chusai and Rusai in Hengchuiquci in Yuefu;
乐府横吹曲辞《出塞》《入塞》创作范式考论
8.
The Language Structure and Artistic Style of Shrine Sacrificial Songs in the Han Dynasty
汉庙祭乐歌辞的语言结构形式及其艺术风格
9.
They called the types of songs which resembled those that the Music Conservatory had collected "Music Conservatory"songs.
而且后代把与乐府搜集的歌谣相似的歌体也都称为"乐府"。
10.
The most famous form of songs collected by the Music Conservatory was called Xianghe ge.
乐府搜集的最有名的歌曲形式叫"相和歌"。
11.
A Comparative Study of Marriage and Love Poetry between Hanyufu and "the Book of Songs"
汉乐府婚恋诗歌与《诗经》婚恋诗歌的比较研究
12.
The Developing Process of Yuefu Guchui Poems in Nan and Bei Dynasty;
南北朝时期乐府鼓吹曲辞的文人化进程
13.
Three Caos' Poems' Inheriting and Developing Music Bureau Songs--Taking Xie Lu Xing as an Example
三曹诗对乐府古辞的继承与演变——以《薤露行》为例
14.
Nan Chao Yue Fu Ballad in the Perspective of Love Literature Aesthetics;
爱情文学审美视野中的南朝乐府民歌
15.
DESCRIBEING THE SYSTEM CHARACTERISTIC OF CHUGE AND ITS IMPACT ON YUEFU POETRY;
论楚歌的体制特点及对汉乐府的影响
16.
Understangding the Feminine Characters and Styles in the Folk Song in the Han Style;
从女性主义看乐府民歌中的女性风情
17.
On Expression and Reason of "Family" in the Ballads of Han Music Bureau;
简论汉乐府民歌对“家”的表现及其成因
18.
Textual Criticism on the Source of Han Peotry“A Long Song·The Garden Sunflowers Are Green”;
汉乐府诗《长歌行·青青园中葵》出处新证