1.
From the "History of the Song and Yuan Opera" A New Look of Wang Guowei's Research Method
从《宋元戏曲史》看王国维的研究方法
2.
Rereading of Wangguowei’s Songyuan xiqushi;
王国维《宋元戏曲史》中的文艺美学思想及其现代误读
3.
"Nature" and "Artistic Conception":The Early Thoughts on the Research of Chinese Literature Modernization--On Wang Guowei's Song and Yuan Dynasty Opera History
“自然”与“意境”:中国文学研究现代化的早期思路——以王国维《宋元戏曲史》为例
4.
On Wenzhou Zaju, Xiwen, Traditional Opera in Yongjia and Various Tunes of Nanxi -Four Stages during the Development of Nanxi in the Song and Yuan Dynasties;
温州杂剧·戏文·永嘉戏曲·南戏诸腔——宋元南戏发展史的四个阶段
5.
The Development of Opera Music during the Song-Yuan period and Ming-Qing period;
宋元戏曲音乐与明清戏曲音乐之发展
6.
Some Main Characteristics of the Commodity Awareness in the Traditional Operas of Song and Yuan Dynasties;
宋元戏曲中商品意识的几种主要表征
7.
Minority Language in Song, Yuan, Ming and Qing s Traditional Operas;
宋元明清戏曲中的少数民族语(四)
8.
Minority Language in Song, Yuan, Ming and Qing’s Traditional Operas;
宋元明清戏曲中的少数民族语(三)
9.
The Effect of the Opera in the Song Dynasty upon the Yuanqu Opera--On the Formation of the Chinese Opera;
宋代戏、曲对元杂剧形成的影响——兼论中国戏曲的形成
10.
inspired by the masks worn by dancers in the Tang, Song and Yuan Dynasty operas.
是在受到唐、宋、元等朝代戏曲中舞者所戴面具的启发后而形成。
11.
"The Chinese opera which appeared first as the zaju in the Song Dynasty, developed into the yuanqu of the Yuan Dynasty(1271-1368),"
是中国的国戏，它先是作为杂剧出现在宋代，后发展成元代(公元1271-1368年)的元曲
12.
Spread of Five Southern Opera Plays in Modern Local Dramas
宋元五大南戏在近代地方戏中的流传
13.
China Drama's Development Prospect from Drama Development History
从戏曲发展史看中国戏曲的发展前景
14.
On Conventional Development and Manifestation of Traditional Chinese Opera in the Southern Song Dynasty;
论南宋临安戏曲的世俗化发展与表现
15.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
16.
On the Historical Significance of WANG Guo-wei s Statement that there were Tragedies in Yuan Dynasty drama;
王国维关于元代戏曲“有悲剧在其中”说的历史意义
17.
The Use of Silver in the Novels and Drama from Yuan to Early Ming Dynasties;
文学史料的归纳与解读——元代至明初小说和戏曲中白银的使用
18.
Banter and Game--Study of the Aesthetic Connotation of Bantering Performance in the South Drama;
谐谑与游戏——试论宋元南戏谐谑表演的审美意义