1.
Theoretical Research on the Development of Folk Art Curriculum Resources of Primary School in Minority Areas;
民族地区小学民间美术课程资源开发的理论研究
2.
Thought on Exploiration and Utilization of Folk Art Curriculum of Art Colleges in Xinjiang
新疆高校民族民间美术课程资源开发和利用的构想
3.
Well Giving the Course of the Fine Folk Arts and Inheriting the Good National Traditional Culture so as to Carry Forward the National Spirit
开好“民间美术”课程 继承民族优秀文化
4.
Thoughts on Folk Art Ornamental Lesson of Higher Vocational Art Specialty;
关于高职美术专业民间美术赏析课教学的思考
5.
Folk art and regional curricula for the education of fine arts;
浅谈民间美术与美术教育资源地方课程开发
6.
A Preliminary Study on the Application Model of Folk Art College Course;
庆阳民间美术校本课程实践模式探索
7.
On Ethnic and Folk Resource of Arts and Crafts in Guizhou and Development of Featured Art Courses in Normal Colleges;
论贵州民族民间工艺资源与高师美术特色课程开发
8.
Viewing the Aesthetic Generality of Folk Arts through the Craftwork of "Wallet";
从“荷包”工艺看民间美术的审美共性
9.
Assessment of Aesthetic Characteristic in Chinese Folk Art;
论中国民间美术意象结构的审美特征
10.
Talking about the funny aesthetic conceptions in folk fine arts of the YellowRiver Basin;
论黄河流域民间美术中的滑稽审美观
11.
THE ARTISTIC BEAUTY OF THE WORDS INSERTED IN ETHNIC FOLK SONGS;
民族、民间歌曲中衬词语言的艺术美
12.
The Influence of Chinese Folk Art on Modern Art Design;
中国民间美术对现代艺术设计的影响
13.
3. The follower of western art-adoring western art, feeling indifferent of art of the third world, national art and popular art.
3、西方美术的信徒——崇拜西方美术，淡漠第三世界美术、民族美术和民间美术。
14.
Discussion on the Position and Function of Chinese Folk Art in University s Fine Arts Education;
中国民间美术在高校美术教育中的地位和作用
15.
The significance of folk and local art education in Teachers Colleges;
高师美术中开展民间乡土美术教育的意义
16.
European Folk Art and Craft Federation
欧洲民间工艺美术联合会
17.
The Application of the Zhongyuan Art in the Graphic Design;
谈中原民间美术在平面设计中的应用
18.
Enlightenment on Modern Design Embodied Chinese Traditional Folk Art;
中国传统民间美术对现代设计的启示