1.
Analysis on the difference between Poem 《Blooming Flowers by the River in Moonlight Night》 and instrumental music 《Blooming Flowers by the River in Moonlight Night》;
唐诗《春江花月夜》与器乐曲《春江花月夜》的意境辩异
2.
The most famous of these is Spring Moonlight on the Flowers by the River,
例如最著名的《春江花月夜》。
3.
Beautiful Pinnacle of Poetic Creation--Zhang Ruoxu The Night withThe Moon and Flowers by a Spring River Appreciates;
美的绝唱——张若虚《春江花月夜》赏析
4.
On the lyric protagonist and aesthetic perception of A Night of Flowers and Moonlight by the Spring River;
论《春江花月夜》的抒情主人公及意脉
5.
On the Artistic Style of "Harmony between Heaven and Human" in Moonlight on Flowery Spring River;
《春江花月夜》“天人合一”的艺术特色
6.
On the Pioneering Functions of “Chun Jiang Hua Yue Ye” in the Poetic Field in the First Period of Tang Dynasty;
论《春江花月夜》在初唐诗坛的开拓之功
7.
A Comparative Analysis Between 《Dai Bei Bai Tou Yin》 and 《Chun Jiang Hua Yue Ye》;
《代悲白头吟》与《春江花月夜》之比较评析
8.
A Comparative Study of "Beautiful Scene over the River on a Spring Moonlit Night" and the Shakespearean Sonnet in Terms of Sound and Rhyme;
《春江花月夜》与莎氏商籁体之声韵比较
9.
Aesthtics Of The Spring Night With The Living River And Elegant Moon;
《春江花月夜》音乐绘画性的美学体现
10.
Authentication of the Old Interpretations of the TwoSentences After "Whose Family" of A Night of Flowers and Moonlight by the Spring River by Zhang Ruo-xu;
张若虚《春江花月夜》“谁家”二句旧解辨证
11.
STATE OF TIME AND SPACE-- FASCINATION ANALYSIS OF THE POEM --《Enjoying the Sight of Flowers and Moon along the shore in the Spring Evening》;
时空场——《春江花月夜》魅力赏析
12.
THE BEAUTIFUL SCENE OF SPRING NIGHT THE PARTING GRIEF OF LONELY WOMAN;
春江花月夜色美 游子思妇别离愁
13.
On the Diversified Symbol System of the Moon in "ChunJiangHuaYueYe;
论《春江花月夜》月亮意象的多重象征系统
14.
The Presence of Intellectuals Deep Awakening of Life Consciousness--On the Subject of ChunJiangHuaYueYe;
士人生命意识的深度显现——论《春江花月夜》的主旨
15.
A Cognitive Study of Chunjiang,Hua and Yueye with Figure-Ground Theory;
图形—背景理论对《春江花月夜》的认知解读
16.
Distinguishing Between Falsehood and Truth Seeking Enchanting View Through Winding Path;
辨明虚实 曲径寻幽——《春江花月夜》“鸿雁”句常解辨误
17.
Comment on the Artistic Evolution From "XI YANG XIAO GU"TO "CHUN JIANG HUA YUE YE;
从《夕阳箫鼓》到《春江花月夜》演变的艺术性初探
18.
A Reflection on the Theme of Chinese Instrumental Music Moonlight on the Flowery Spring River;
民族器乐合奏曲《春江花月夜》的主题思考