1.
On Preface and Postscript in Yuan Dynasty Opera for Building Opera Theory
论元代戏曲论著序跋在戏曲理论建构中的功用
2.
Prefaces of Kyokutebakin s Novels and Li Yu s View on Dramatics-novels;
曲亭马琴读本序跋与李渔戏曲小说论
3.
On Interpretation and Acceptation of Feminine s Dramatic Creation Theories in the Ming and Qing Dynasties--From a Perspective of the Preface and the Postscript to the Drama;
明清女性戏曲创作理论的诠释与接受——以古代戏曲序跋为例
4.
An Analysis of Epoch-making Significance about Capital from the View of Preface and Postscript;
从序言和跋看《资本论》原著的划时代意义
5.
Xiju" and "Xiqu"--Reading Commentary about Wang Guo-wei s Works;
也说“戏剧”与“戏曲”——读王国维戏曲论著札记
6.
Gender,speech and strategy:from a perspective of preface and postscript to women dramatic
性别·话语·策略——从序跋视角解读明清女性的戏曲批评
7.
LI Yu was one famous drama theoretician of Chinese ancient.
李渔是中国古代著名的戏曲理论家。
8.
On the Document Value of the Preface and Postscript of Ancient Books Based on Revealing Authors
古籍序跋在揭示著者方面的文献价值
9.
Sing the Praises of the People of the Loaest Social Strata;
为贱者歌,为末者著——论《青楼集》在戏曲史上的地位
10.
The Early History of Tuoba Clan of the Northern Wei: Reading the First Chapter of Wei Shu;
论拓跋鲜卑部的早期历史——读《魏书·序纪》
11.
REVIEW ABOUT THE LITERARY COMMENTS IN PREFACES AND POSTSCRIPTS TO WEN XIN DIAO LONG IN YUAN AND MING AND QING DYNASTIES
元明清三代之《文心雕龙》序跋文论略
12.
On the Functions and Significance of Index;
浅议索引的作用与意义——从近年来明清戏曲研究论著索引谈起
13.
On Attitude to Historically-Intercultural Communication between Hui Nationality and Han Nationalityand Causes of the Attitude According to the Prefaces and Postscripts of Islamic Tanslation Works;
从回族伊斯兰译著序跋看历史上回汉文化交流心态及其原因
14.
On HUANG Ting-jian s Ji?Xu?Tiba and His Devel opment to the Song Dynasty s Literary Forms;
论黄庭坚的记、序、题跋及其对宋文文体的拓展
15.
Reconsiderations of the Features of Traditional Opera;
戏曲特征再认识——质疑《中国大百科全书·戏曲·曲艺》卷概论《中国戏曲》
16.
History of Chinese Classical Dramatic Theory
中国古典戏曲理论史
17.
Opera, Drama and Traditional Chinese Drama-Second Analysis of Wang Guowei s “Opera” Theory;
戏曲·戏剧·中国民族戏剧——王国维“戏曲”理论的再解读
18.
Defining the Essence of Literature: A Zigzag Process of Exploration;
文学本质界说:曲折的跋涉历程——以自我理论反思为线索