1.
Comparative Study on Two Annotative Interpretations on the Book of Poetry;
主体性的遮蔽与敞开——《孔子诗论》与《毛诗》论诗方式的差异
2.
Contrast in the Manner of Monody between Poems of "Guilaizhe"and "Menglongshi";
论“归来者”诗与“朦胧诗”抒情方式的差异
3.
Dufu's Poems and Rexroth's Discursive Style of Far Eastern Poems
杜甫诗与雷克斯罗斯的远东诗歌“论述方式”
4.
Four Modes of the Made-up World of Beijing Poem Fictions;
论京派诗话小说虚构世界的四种方式
5.
On the Expression From of Analogous Arts in the Book of Changes:Comparing the Images in the Book of Changes with the Images in the Book of Songs;
《易》象与《诗》象:论《周易》的类艺术表现方式
6.
Summing up and analysing --The way of evolution in the new period of verse art;
整合与析分——论新时期诗歌的演进方式
7.
On Poetic-speech Mode in Literary Criticism of Ancient China;
论中国古代文学批评的诗意言说方式
8.
On The Aristic Style and Emotion Mode Of GUO Mo-ruo s New Patriotic Poems;
论郭沫若新诗的艺术风格及情感方式
9.
On the Unique Popular Spreading Ways of Doggerel;
论打油诗独特的民间大众化传播方式
10.
China's Classical Poems and their Non-verbal Communications
论中国古典诗歌中的非语言交际方式
11.
On Gestalt Methods and Principles Applied to Poetry Appreciation -- An Gestaltexplanation to ancient Chinese poems;
诗歌鉴赏的“格式塔”方法论及其原理——古代诗歌鉴赏的“格式塔”诠释
12.
Explore the Structural Pattern of Montage Imagery Combination of Li He s Poems;
论李贺诗歌蒙太奇式意象组合的结构方式
13.
An New Discussion about Fang Dong-shu s Poetical Criticism with the Text;
建构古典诗学批评的新范式——方东树“以文论诗”新论
14.
Form and Language of the 20~(th)-Century Western Theories of Poetry
20世纪西方现代诗论的形式和语言要素论
15.
On the Differences of the Content and the Taste Psychology Way Between the West and the East Nation Epic;
论东西方民族史诗内容及审美心理方式的差异
16.
Surveying the Ideological Value in LU Ji s Studies on Poetry and Fu -- Also Discussing Modes of Thinking and Methods of Researching into Theories on Poetry and Fu;
从陆机诗赋论看其诗学赋学思想价值——兼论诗赋理论研究的思维模式与方法
17.
The Direct Expression Form of Early Verses and the Creative Method of “Narrative Poems”;
略论初期白话诗的“直言”形式和“以文为诗”的创作方法
18.
Influence of Zen s Way of Thinking on Chinese Traditional Poetics and Aesthetics;
诗悟与禅悟——论禅宗思维方式对中国传统诗学美学的影响