1.
Great Production of Art and Technology--Multimedia Dramas
新媒体时代舞台艺术的奇葩——多媒体戏剧
2.
Multimedia Instructional Design of British and American Drama
多媒体语言实验室中的英美戏剧课教学设计
3.
Application of "Zhezixi" to Multi-media Instruction of Chinese Ancient Drama Curriculum
折子戏与戏曲相关课程的多媒体教学
4.
Value Acknowledgement and Responsibility of Theater Media
当今戏剧专业媒体的价值认知与责任担当
5.
As with Shakespeare, many of Shaw's plays are continually restaged or rewritten into new media
和莎士比亚一样，萧的许多戏剧作品不断被重新搬上舞台或改编用在新的媒体上，
6.
Most plays are written in dialogue.
大多数戏剧都是用对话体写的.
7.
Shows/Hides multimedia devices (sound card, joystick, etc.)
显示/隐藏多媒体设备 (声卡、游戏杆等)
8.
Applications of Games Theory in Multimedia Work Design;
游戏理论在多媒体作品设计中的应用
9.
Another Form of the Multimedia Teaching:Game-application Teaching;
游戏教学——多媒体教学的另一种尝试
10.
She has written plays, novels and poetry.
她的作品体裁多样，有戏剧，小说和诗歌等。
11.
Pragmatic-stylistic Study of the Absurd Theatre--A Case Study of Waiting for Godot
对荒诞派戏剧的语用文体研究——以《等待戈多》为例
12.
They say Chinese classical theater abounds in stylized conventions.
据说传统戏剧程式很多。
13.
multiple media instruction
多媒体教学 多媒体教学
14.
The concept of “great drama” and a prospect on drama of 21st century--An interview with Prof Zhou Huabin;
“大戏剧”观念与21世纪戏剧前瞻——访中国传媒大学周华斌教授
15.
Judging the Antiplay Characteristics of the Theatre of the Absurd from "Waiting for Godot";
从《等待戈多》看荒诞派戏剧的反戏剧特征
16.
The Breakup of Ancient Greek Drama and the Reorganization of the Drama Elements in the Renaissance Period;
古希腊戏剧的解体和文艺复兴戏剧元素的重组
17.
Action and the Dramatic: Cornerstones of Tan Peisheng s Theory;
动作与戏剧性:谭霈生戏剧本体理论的基石
18.
The System of Form and Meaning of Chinese Character XI and JU and Aesthetics Structure of China s Play;
汉字“戏”、“剧”的形义系统和戏剧文体的美学建构