1.
An Eco-critical Reading of Three Chinese Plays;
生态批评与中国生态戏剧——对三个戏剧文本的生态主义批评
2.
Savage:classic of the eco-drama;
《野人》:生态戏剧的经典之作——高行健剧作《野人》的生态解读
3.
Experimental Theatre and Cultural Ecology: Re-thoughts on Shenzhen Theatre;
实验戏剧与文化生态——深圳戏剧现象再思考
4.
Alienation Effect: Exposing Drama as Ideology;
陌生化:揭露戏剧的“意识形态”属性
5.
To Break Through the Tight Encirclement--An analysis of the living conditions of operas;
突出重围——对戏剧生存状态的解析
6.
An Observation of Campus Theatrical Performance;
回归表演原生态的仪式——校园戏剧表演状态研究
7.
On the Origin and Development of Theatre and its Modern State from the Perspective of Art's Subject Psychodynamics
从艺术主体心理动因看戏剧的发生及现代状态
8.
On Chen Dabei "Beauty-Love" Theory of Drama and Drama of Life;
论陈大悲“爱美的”戏剧理论与戏剧人生
9.
On the Formation of the Objective and Realistic Form of Modern Chinese Theatre;
论中国现代戏剧客观写实戏剧形态的形成
10.
The Song for the Gongmo Kerchief Dance and the Form of the Drama of Chinese Theatre in Their Early Phase;
《巾舞歌辞》与中国早期戏剧的剧本形态
11.
International Student Theatre Unio
国际学生戏剧联合会
12.
Have you ever see ibsen's play?
你看过易卜生的戏剧吗？
13.
The Twin between Popularity and Vanguard,Criticising Mingling with Deep Thought --On the Richness of the Drama Form of the Thunderstorm;
通俗与先锋孪生 批判与冥想交织——《雷雨》戏剧形态的丰富性
14.
a theatrical pose; one of the most theatrical figures in public life.
戏剧性的姿势；公众生活中最富戏剧性的人物。
15.
Action and the Dramatic: Cornerstones of Tan Peisheng s Theory;
动作与戏剧性:谭霈生戏剧本体理论的基石
16.
Disclose the Drama into Drama--My Point of View about the Brecht s Theory of Being Strange;
让戏剧暴露为戏剧——布莱希特陌生化理论之我见
17.
On“Joining in the Fun on Occasion”and Its Theatrical Concept;
“逢场作戏”蕴涵的人生教训和戏剧观念
18.
The Characteristics of Chinese Dramas From the Performance of Ceremony Drama In Shanxi;
从山西仪式剧的演出形态看中国戏剧的特点