1.
TRUE TO NATURE HIGH MOUNTAINS AND LONG RIVERS:IST EXHIBITION OF CHINESE LANDSCAPE PAINTINGS BY 10 CHINESE MASTERS
山水有清音——记“山高水长·中国首届十大山水画家作品展”
2.
Some Ideas Concerning Constructing Theoretical System of Xinjiang Large Landscape Paintings;
关于构建新疆大山水画理论体系的思考
3.
he traveled across the country and painted many pictures of scenery.
他游历大江南北，画了许多山水画。
4.
Li Ke-ran is a practician to transform Chinese paintings through sketching on nature, is a great master from classic landscape paintings to modern ones.
李可染是通过山水写生来改造中国画的实践者,是古典山水画向现代山水画过渡的大师。
5.
The Chinese landscape painting art develops to Yuan Dynasty again a big change, is scholarly of the landscape painting to turn, personify.
中国山水画艺术发展到元代又一大变,是山水画的文人化、人格化。
6.
He managed to visit most of the famous mountains, lakes and rivers throughout the country and painted numerous landscapes.
他游览了祖国绝大多数的名山、湖和大河，画了很多的山水画。
7.
Masters Nurtured by Beautiful Mountains and Lakes On the Art of the Famous Painter HUA TUO
自古山水蕴大师——华拓先生的绘画艺术
8.
On Small to Herald in the Role of Chinese Landscape Painting;
浅探“以大观小”在中国山水画中的作用
9.
Four Great Masters of Ming Dynasty Who Stylized as Dark Green Embellishment and Elegance in Landscape Painting;
山水画风格苍润秀雅的“明四大家”
10.
The great painter Huang Gongwang was good at syncretizing poems and paintings, while the poem monk Qing Gong mainly wrote about reclusion and landscape.
大画家黄公望善作题画、咏画诗，诗僧清珙多写隐居生活和山水景致。
11.
Interpretation on Mature Form of the Theory of Landscape Painting: Huashanshui Xu and Xuhua
解读山水画理论的成熟形态——《画山水序》和《叙画》
12.
He was admired for his landscape, bird-and-flower and occasional figure painting.
他的山水画、鸟画和人物画受人仰慕。
13.
We have landscape painting，figure painting and flower and-bird painting.
我们有山水画、人物画和花鸟画。
14.
Landscape is an important branch of traditional Chinese painting.
山水画是中国画中重要的画科。
15.
The landscape paintings of the two modern artists, Huang Binhong and Li Keran are different.
现代山水画家中，黄宾虹和李可染的画风有极大的不同。
16.
Discussion on Drawing Ideology and Landscape Painting Achievement and Influence of Huangbinhong;
至广大 尽精微—浅议黄宾虹的画学思想和山水画艺术成就及影响
17.
Paintings should create big image and leave no traces of arrangement──An aesthetic concept about the creation of mountains - and - waterspainting put forward by Guoxi;
画见大象,不为斩刻之形──郭熙关于山水画创作的一个美学命题
18.
The Integration:Wang Shi-gu s Compendium of Chinese Landscape Painting in the Tang,Song,Yuan and Ming Dynasties;
集其大成:王石谷对唐宋元明四朝山水画的总结