1.
ON FEATURES OF EXPOUNDING THE CARDINAL PRINCIPLES OF RIGHTEOUSNESS OF MA QI-CHANG S QU FU WEI;
论马其昶《屈赋微》阐明微言的注评特色
2.
On the Comment Features of Widely Collecting Talk about Publicity of Ma Qi-chang s Qu Fu Wei;
论马其昶《屈赋微》“博采众说”的注评特色
3.
Differences between Shao and Fu;
骚、赋文体辨——兼说屈作不当名赋
4.
The Interpretation of "Dongting" in QU Yuan s poems and "Dongting" in Bamboo Book of Qin Dynasty;
屈赋“洞庭”与里耶秦简“洞庭”的解读
5.
To Analyse the People s Acception and Prevalence to Qu Sao from Fu of Sao System in Han Dynasty;
从骚体赋看汉人对屈骚的接受和传播
6.
The Analysis about Qu Yuan s Ju Songand Caozhi s Ju Fu;
关于屈原《桔颂》与曹植《桔赋》之论纲
7.
SU Xue-lin, Wuhan University, QU Yuan s Rhyme Prose;
苏雪林与武汉大学及其屈赋研究述略
8.
The ABB Structure in Qu Yuan′s Fu: Its Rhetorical Significance;
论屈赋中的“ABB”结构及其修辞意义
9.
Research on Jiang Liangfu's Note Method from "Qu Yuan fu School Note"
从《屈原赋校注》看姜亮夫的校注方法
10.
The Interpretation of Jia Yi's Sao-ti Fu to the Atmosphere of World Sorrow by Qu Yuan
贾谊骚体赋对屈原“悲世之风”的解读
11.
On JIA Yi s Relegation in Changsha and the Creation of His Fu;
屈贬长沙 升堂赋坛──论贾谊贬长沙对其骚体赋创作的影响
12.
Gods and Men in Perfect Harmony and Expressing the Feelings by Borrowing Some Metaphisical Figures --To Seek Quyuan s Inner World from the Fairy Tales and Legends in Quyuan s Rhapsody;
神人交融 假象尽辞——从屈赋中的神话传说探寻屈原的内心世界
13.
A Comparison of the Verses by Qu Yuan with Faust: Oppression and Extrication;
屈赋与《浮士德》的碰撞——从压抑和解脱的视角分析
14.
A Sorrowful Sound Throughout the Ages,which Is Equal with the Sun and the Moon in Glory--On the tragic spirit of Qu Yuan s poetry;
与日月争光的千古悲音——论屈原赋的悲剧精神
15.
Poems by Qu Yuan and Mao Zedong: the Pearlescent Sun and Moon in the Sky--On the commemoration for Mao Zedong s 110th Birthday;
毛诗屈赋悬日月——纪念毛泽东诞辰110周年
16.
There is no doubt that Qu Yuan has become an everlasting monument in the history of Chinese literature.
毫无疑问，屈原赋是中国文学史上一座不朽的丰碑。
17.
Beauties Together or Pure and Dirty Things Mixed?--A analyses on the interpretation of the sentences saying "Fang and Ze mixed" in Qu Yuan s poems;
二美杂会还是洁秽相混?——屈赋“芳泽杂糅”诸句释意简析
18.
Unrecognized talent,profound thinking,discontent in palace and narrating behaviors--On original Ode to Sao Style influenced by Qu Yuan in Han Dynasty;
不遇·玄思·宫怨·述行——简论屈骚影响下的汉代独创骚体赋