1.
A COLLATION OF AND RESEARCH ON SHIHUA OF THE QING DYNASTY From Wu Hungyi s "Shihua of the Qing Dynasty: Documentation and Critical Studies";
关于清诗话的整理与研究——从吴宏一的“清代诗话考述”研究计划说起
2.
Mongolian Poet BO MING and His YI SHAN SHI HUA
清代蒙古诗人博明与其《义山诗话》
3.
The Central Discussion and Explanation to "Qu" of Two Poetry Theorist in Qing Dynasty;
清代两位诗话家对诗趣的集中论评与阐说
4.
On Zhu Tingzhen s Xiaoyuan s Notes on Classical Poetry;
清代滇人学者朱庭珍的《筱园诗话》及诗法主张
5.
Deconstructing the Myth of Shen Guangwen: A Cultural Case Reviewing from Verses and Historical Facts;
神话的消解:诗史互证澄清一桩文化史公案
6.
A Look at "Purity"--One Aesthetic Concept of Zhu Yizun s from His Poetic Study at Jingzhi Study;
从《静志居诗话》看朱彝尊美学的一个侧面“清”
7.
Dialogue between Admiration and Grievance--On Analysis of Mrs Browning and LI Qing-zhao s Love Poems;
“慕”与“怨”的对话——白朗宁夫人与李清照的爱情诗对比分析
8.
Comparative Study of Reviews on Han Yu s Poems by Zhao Yi in Qing Dynasty and Yi Ik in Korea--Take "Oubei s Comments on Poems" and "Sǒngho sasǒl" as Example;
清代赵翼与朝鲜李瀷对韩愈诗歌的批评——以《瓯北诗话》与《星湖僿说》为据
9.
a natural underivative poet.
诗风清新独创的诗人。
10.
Does she still write new-style poetry?"
白话诗还做不做？”
11.
The Way of Comments on Shijing in the Ming and Qing Dynasties:Comparing It with Other Poetic Works;
以“诗”证《诗》:明清《诗经》评点方式
12.
Self-Awareness of the Modern Verse:the Historical Significance of the Late Qing “Verse of the New Learning”;
新诗自觉:晚清“新学诗”的诗史意义
13.
On Huang Sheng s Poetics Idea from Shizhu and Review of Zaijiuyuan Notes on Poetry;
从《诗麈》、《载酒园诗话评》看黄生诗学思想
14.
Study on Dialogue in Shijing;
生趣盎然的对话镜头——《诗经》对话体诗
15.
The Connections between Taochan Poetry Talks and Weilu Poetry Talks;
《逃禅诗话》与《围炉诗话》之关系
16.
"Writing Poems" and "Poem Is Like Speech" --Tradition Heritage from Song-Dynasty Poems to Vernacular Poetry of May 4th Movement;
“以文为诗”与“作诗如说话”——论宋诗传统在五四白话新诗运动中的传承
17.
On the Relationship Between the Early Notes on Classical Poetry and the Poetry Schools--Taking the Notes on Classical Poetry in the Song Dynasty and the School of Jiangxi as Examples;
论早期诗话与诗派的关系——以宋代诗话和江西诗派为例
18.
Lascivious Poetry Theory: Focus of Divarication between the Theory of the Book of Songs by Zhu Xi and That by Poets in Qing Dynasty;
“淫诗”说：朱熹《诗》学与清代《诗》学分歧之焦点