1.
Theory on the traditional opera temperament by Shen Chongsui;
沈宠绥的戏曲声律论──江苏古代戏曲家研究之五
2.
LI Yu was one famous drama theoretician of Chinese ancient.
李渔是中国古代著名的戏曲理论家。
3.
Family theatrical troupe and Lee Yu s opera theory;
李渔家班与《闲情偶寄》的戏曲理论
4.
Cultural and Artistic Background of Tujia Local Opera;
土家族地区戏曲兴盛的文化艺术背景
5.
“Quan Le”--the Special Acting Stage of Opera During Ming Dynasty;
“家乐”——明代戏曲特有的演出场所
6.
The Signs of Opera in a Dream of Red Mansions and Research on Family Opera Troupe in the Begining of Qing Dynasty
《红楼梦》中的戏曲迹象及清初家班研究
7.
Chinese Theatre,Confucianism,and Nationalism:Amateur Chinese Opera Tradition in Singapore
中国戏剧、儒家思想及民族主义:新加坡的爱美戏曲表演传统
8.
A Research on Japanese Sinologist Masaru Aoki s Studies of Chinese Traditional Opera History;
论日本汉学家青木正儿的中国戏曲史研究
9.
Drama Author s Concept of Privacy and Confucian Philosophy;
戏曲文本作者的仕隐观与儒家出处哲学
10.
The Study on the Writers,Actors,Dramas and National Characters of Hui People in the Miscellaneous Drama of the Yuan Dynasty;
元杂剧中的回回作家、演员、戏曲及其民族性
11.
A view of“ZHI”,the Spoken Music of Chinese Traditional Operas;
小往大来“一”之“多”——“徵”口语戏曲音乐大家族管窥
12.
On the Positive Effect of the Family Music in the Ming and Qing Dynasties Upon the Performing Art of Traditional Chinese Opera;
论明清家乐对明清戏曲表演艺术的积极影响
13.
From One to Many,(as in Business Dealings)--A limited view of “ZHI”,the spoken music of Chinese traditional operas;
小往大来“‘一’之‘多’”——“徵”口语戏曲音乐大家族管窥
14.
Three Dramatic Documents Discovered by British Sinologist--Pier van der Loon
英国汉学家龙彼得发现的三种戏曲文献
15.
He was a student of Shanghai Traditional Opera School, mainly acts the elder male character in Kunju Opera, who was taught by Zheng Chan-Jian,Ni Chuan-Yue, etc.
上海市戏曲学校首届昆曲班毕业，工老生。师承郑传鉴、倪传钺等名家。
16.
The Peony Pavilion as a product of integration of different forms of art;
“通变”中的《牡丹亭》——在东南大学戏曲名家昆曲学术研讨会上的发言
17.
Funetions of Opera Literature on Opera Studies Based on the Analysis of Qu Lv
从《曲律》看戏曲文献对戏曲研究的功用
18.
The Instillation and Transformation of the Folk Psychology in Mengxi Opera;
孟戏的民俗心理沉淀与嬗变——以江西广昌甘竹刘家、曾家村族《孟姜女》戏曲为例