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1.
Not Sing Enough and Then "Shout"-Seven serial studies on opera singing;
歌唱不足故‘叫喊’之——戏曲唱论七题
2.
On Review of Our Country s Earliest Vocal Music Book--The Theory of Singing;
我国最早的声乐论著《唱论》研究综述
3.
Changlun, The Earliest Vocal Analects;
取来歌里唱 胜向笛中吹——浅析我国最早的声乐论著《唱论
4.
On Misconstruction of Singing Theory in Practice
浅议歌唱论在实践中易产生的误区
5.
On the Path of Beginners in Singing to the Enhancement of Singing Effect;
试论初学唱歌者提高歌唱效果的途径
6.
Mind Activities in Both Teaching and Singing;
论声乐教学与演唱中歌唱心理的作用
7.
Impact of Psychological Factors on Concert Performance;
论声乐演唱中紧张心理对演唱的影响
8.
On "Consensus Effect" of Rule of Law;
“首唱”与“唱和”——再论法治的“共识效应”
9.
On Singing Ci with the Tune of Kunqu Opera:Centered on Xue-Shaohui's Viewpoint on Singing Ci
论以昆曲唱词——以薛绍徽唱词观为中心
10.
Friendship of Scholars and Changhe Poetry;
士子友谊与唱和诗——论欧梅唱和诗对元白唱和诗的继承与超越
11.
A Tentative Study on the Aesthetical Psychology of Chorus Appreciation in Normal University Chorus Teaching;
试论高师合唱教学中的合唱欣赏审美心理
12.
Complementary Strengths on "Bel Canto" and Traditional Chinese Singing;
论西洋唱法与中国传统唱法的优势互补
13.
The Application of Dialectic Cognition in Singing and Teaching;
论辨证认知在歌唱教学及演唱中的应用
14.
On Singing and Sing a Song --Also Talk about in Training of "Music Feel"in Vocal Music;
论歌唱与唱歌——兼谈声乐训练中的“音乐感觉”培养
15.
On the General and Individual Characters of Bel Canto and National Way of Singing;
浅论美声唱法与民族唱法之共性与个性
16.
The Training of the Tenor Part in National Singing;
论民族唱法男高音歌唱训练的关键因素
17.
On The Singer s Sense Of Hearing And Its Significance To Singing;
论歌唱者的听觉感知及其对歌唱的作用
18.
Solfeggio Solmization Teaching Theory and Practice of Research
视唱练耳教学中唱名法的理论与实践研究