1.
Conflict Between Western Realistic Painting Style and Chinese Traditional Painting Conception;
西方写实艺术的引入与传统绘画观念的矛盾
2.
Ultimate of Painting--Meaning of formal language and concepts in painting
绘画的终极——绘画形式观念与语言的意义
3.
The Concept Origin and New Style of Chinese Painting in the Reigns of Emperors Kangxi、Yongzheng and Qinglong;
康雍乾时期的绘画新体及其观念根源
4.
On Tibetan Tangka Painting as a Kind of Conceptual Art;
论作为观念艺术的唐卡绘画创作特性
5.
Contemporary Reflection on the "Idea-First" Painting
对“观念至上”的绘画当代性的反思
6.
Changes of Painting Materials and Changes of Ideas and Techniques of Landscape Painting in the Yuan Dynasty;
论绘画材质之变与元代山水画观念和技术之变
7.
The Subjection in the Objection The Speculation on the Designing Concept in Painting
客观中的主观——关于绘画中设计理念的思辨
8.
Those paintings represent the artist's perceptions and experiences.
那些绘画作品反映了艺术家的观念和经历。
9.
Training Method of Drawing Consciousness and Conception Conversion;
素描教学中绘画意识和观念转换的训练方法
10.
Concept Art t Counteracts Ornamentation Functions of Easel Painting;
论观念艺术对架上绘画文饰功能的消解
11.
Expression of experience and description of vision: Different views of Chinese painting and western painting;
经验表述与视觉描述——论中西绘画的不同观念
12.
Religious Spirit Flied upward--Simple Explanation of the Aesthetic Concept of the Paintings in Mlddle Ages;
神性的飞扬——浅析中世纪绘画艺术中的美学观念
13.
Painting Historical Themes of Mass Values Presented
历史题材绘画中的群体性价值观念呈现
14.
Seek Language from Conception-The Iillation of Conception and Language from Contemporary Easel Painting
在观念中寻找语言—当代架上绘画语言与观念的演绎
15.
Mourning over Karl Liebkneche Holzschnitt
悼念李卜克内西（绘画）
16.
"The art of painting is the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language."
绘画艺术利用两维视觉语言创造出美的特征，从而表达情感和观念。
17.
Discussion of Sketch Teaching of Ethnic Painting in View of Differences between Chinese and Western Ideas of Modeling;
从中西方不同的造型观念谈民族绘画素描教学的几个问题
18.
a painting depicting an expanse of natural scenery.
描绘广阔的自然景观的绘画作品。