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1.
The Discusstion on the Culture Pursuit and Culture Transmission of the Fifth-generation Directors of China's Film
论中国第五代导演电影中的文化追求与文化传播
2.
Directors of the Fifth Generation and Films of the West China;
论第五代导演与西部电影的艺术叠交
3.
A Comparison of Directors between Ang Lee, the Fifth Generation and the Sixth Generation;
李安与中国第五代、第六代电影导演比较论
4.
The Cinematic China:A Comparative Study of Directors from the Fifth and Sixth Generation;
“影像的中国”:第五代、第六代导演比较论
5.
The race evolving process of the Chinese movie in the new period -- with the third, fourth, fifth directors are examples;
论新时期中国电影的民族化演进过程——以第三、四、五代导演为例
6.
"The Fifth Generation pioneered a new style of film making, one that was consciously cinematic."
第五代导演开创了一种新的电影表现手法,一种有意识、自觉地使用电影语言的方法。
7.
Different Imaginations of Chinese Culture and their Assemblage:A Comparative Study of Directors from the Fifth and Sixth Generation;
对中国文化的不同想象及其缝合——关于第五、六代电影导演之比较研究
8.
The Inner Evolvement and the Influence of the Fifth Generation Film;
从双轮革命到独轮旋转——第五代电影的内在演变及其影响
9.
It won five 68-second Oscar awards for best picture, best director, best cinematography, best music, best make up .
这部电影荣获第68届奥斯卡最佳影片、最佳导演、最佳摄影、最佳音乐、最佳化装五项大奖。
10.
The Sixth Generation Directors Growth Roads, Aesthetic Features and Others;
中国电影第六代导演的成长道路、审美特点及其他
11.
Historical Awareness of Directors of the 4th Generation and Their Unique Status in the Chinese Movie History(Ⅰ);
第四代导演的历史意识及其在中国电影史上的独特地位(上)
12.
Historical Awareness of Directors of the 4th Generation and Their Unique Status in the Chinese Movie History (Ⅱ);
第四代导演的历史意识及其在中国电影史上的独特地位(下)
13.
Diversified Thinking of Cuowing up -According to zhangyuan and zhangyangs films study the transformation of the sixth generations directors;
成长的多元思考——就张元、张扬的电影考察“第六代”导演的转变
14.
From Opposing Tradition to Returning to Traditon: The Circle Track of the Fifth Generation of Directors;
从反叛到回归:第五代导演的文化圆周轨迹
15.
A Case Study in the Films Shot by the Fifth Generation Directors--On Huang Jianxin s Films;
第五代中的个例——论黄建新的电影
16.
The Research on the SaiFu and Mailisi s Film Director Art in the 1990 s;
塞夫、麦丽丝90年代电影导演艺术研究
17.
The Creation Style Evaluation of "the Cenozonic Era" Directors;
“新生代”导演的电影创作风格评析
18.
Constructing Mirrors of Bottom Existence in the Social Transformation--Interpreting Bottom Movies of the "Sixth Generation" Directors in China;
在社会转型中构造底层的生存之镜——解析当代中国“第六代”导演的底层电影