1.
Discussing the Question of Poem Ambiguousin Xie Zhen s Notes on Classical Poets and Poetry of Si Ming;
浅论谢榛《四溟诗话》“诗的含糊性”问题
2.
"Writing Poems" and "Poem Is Like Speech" --Tradition Heritage from Song-Dynasty Poems to Vernacular Poetry of May 4th Movement;
“以文为诗”与“作诗如说话”——论宋诗传统在五四白话新诗运动中的传承
3.
The May 4～(th) Folk Songs Campaign and Early Vernacular Poetry Creation;
“五四”歌谣运动与早期白话诗创作
4.
Four Modes of the Made-up World of Beijing Poem Fictions;
论京派诗话小说虚构世界的四种方式
5.
Construction of the May 4th Vernacular Poetic Theories;
探访意义:“五四”白话文的诗学建构
6.
The Deeds of Cooperatively Fighting against the Japanese Invaders by the Ming Dynasty s General Liu Ting and Korean Righteous Monk Si Mingtang;
明将刘綎与朝鲜义僧四溟堂协同抗倭事迹探论
7.
Two Cooperations of Three Scholars;
论五四时期李大钊、胡适和梁漱溟的两度“合作”
8.
Compare Hu She;s Opinion on Chinese and Western Cultures with Liang Shuming s;
“五四”时期胡适和梁漱溟中西文化观之比较
9.
“Style Conversion”:“Attempt”and Significance of HU Shi’s Vernacular Poems Before “May 4th” Time;
“题型转换”:胡适前“五四”白话诗的“尝试”及意义
10.
Overturn and Reconstruction --the Formation and the Features of the Free - style Verse in the Vernacular;
颠覆与重建——五四新诗话语模式的形成及特征
11.
Nature Worship and Poet s Heart in May 4th Pioneer Poetry--A Case Study of Kang Baiqing;
论“五四”先驱诗歌创作的自然崇拜与诗人心态——以早期白话诗人康白情为个案分析
12.
Eastern Cultural Center and Integrated Innovation in May Fourth Period;
五四时期的东方文化中心与融合创新——以梁漱溟、熊十力为例
13.
On Liang Shuming s Limitation with Respect to the Modernization of Traditional Thought after the May 4th Movement;
论五四后梁漱溟在传统思想现代化方面的局限性
14.
A stanza or poem of four lines.
四行诗四行的诗节或诗歌
15.
To tell the truth, Chiang Kai-shek is an assassin with a gun and Liang Shu-ming an assassin with a pen.
讲老实话，蒋介石是用枪杆子杀人，梁漱溟是用笔杆子杀人。
16.
Does she still write new-style poetry?"
白话诗还做不做？”
17.
The Comparison of Love Lyrics in Shi Jing and Shakespeare s Sonnet;
《诗经》与《十四行诗集》中爱情诗比较
18.
Verse composed in strophes of four tetrametric lines.
阿尔凯奥斯四行诗由四音步诗行节律写成的诗