1.
The Spirit of “Golden Mean” and “Benevolence”in XIE Jin s Films:Red Detachment of Women;
《红色娘子军》与谢晋电影的“中庸”和“仁”
2.
The Epic Consciousness and Integrated Construction in Xiejin s Movies;
谢晋电影潜在的“史诗”意识及整体建构
3.
Woman-Wife-Mother: Typical Display of Xie jin s Films in the New Period;
女人—妻子—母亲:新时期谢晋电影的经典表述
4.
Xie Jin's Film in the Vision of the Twenty-First Century
论21世纪视野中的谢晋电影——以《芙蓉镇》为例
5.
Aesthetic Surpassing of Traditional Culture and Modern Spirit--On Xie Jin s Film Creation Concept;
传统文化与时代精神的审美超越——谢晋电影创作观念略论
6.
Suffering·Anti Orthodoxy·Orthodoxy--the New Explanation to Xiejin's Film from the Perspective of Inspirational Idol Drama
苦难·反正统·正统——从主旋律励志偶像剧的视角重审谢晋电影的大众性
7.
National Pattern and Diasporic Narrative in the Pan-Asian Horizon--The Implication of The Last Aristocrat as a Case
泛亚视域中的家国模式与离散叙事——谢晋电影《最后的贵族》的个案意义
8.
Xie Jin:the Artistic Peak in the Golden Age of the Chinese Film
谢晋:中国电影黄金时代的艺术高峰
9.
Xie Jin:An Outstanding Representative of Chinese Mainstream Movie in the 20th Century
谢晋——20世纪中国主流电影的杰出代表
10.
About the Sports Films by Xie Jin;
体育:民族、家国与爱情——论谢晋的体育电影
11.
The Spatiality and Subjectivity in Xie Jin' s Film Melodrama of the New Period
新时期谢晋通俗剧电影中的空间性与主体性
12.
Joan's first starring role was in the movie Youth directed by the famous veteran director Xie Jin.
陈冲首部主演的电影是由著名导演谢晋执导的《青春》。
13.
The Evolution Trace of Chinese Ethic Plots Film Creati on--From Zheng Zheng-qiu and Cai Chu-sheng to Xie Jin;
中国伦理情节剧电影创作的演变轨迹——从郑正秋、蔡楚生到谢晋
14.
On the Creation and Development of the Film Art of Chinese Ethic Plots;
论中国伦理情节剧电影艺术的创新与发展——以郑正秋、蔡楚生和谢晋的作品为例析
15.
Films like the Red Sun, Shane, etc, are all western .
象《红日》、《谢恩》之类的电影都是西部影片。
16.
Films like The Red Sun, Shane, etc., are all westerns.
象《红日》、谢恩》之类的电影都是西部影片。
17.
More10 years ago, a film called[ the last Noble] was directed by Tze Jun, it was based on the novel of Pat Sin Wing too.
十几年前，谢晋拍摄的影片《最后的贵州》就是改编自白先勇的小说《谪仙记》。
18.
The theater is turning people away;the seats are all sold.
电影院谢绝群众入场，座席都卖完了。