1.
50 years of studies in Korea on Qing poetry and poetic theories: a review;
半世纪来韩国国内清代诗学研究概况
2.
On the Study of the Book of Songs of the Independent Thinking School in Qing Dynasty;
清代《诗经》学独立思考派《诗》学研究
3.
The Academic Tenet of the School of Textual Research on The Book of Songs in Qing Dynasty;
清代《诗经》考据学派《诗》学宗旨论析
4.
On Chen Yan's "Scholar's Poem" in the Context of Philology in the Qing Dynasty
清代朴学背景下的陈衍“学人之诗”诗论
5.
Lascivious Poetry Theory: Focus of Divarication between the Theory of the Book of Songs by Zhu Xi and That by Poets in Qing Dynasty;
“淫诗”说：朱熹《诗》学与清代《诗》学分歧之焦点
6.
Rereading the First Monograph on the Philology of Qing Poems - Qing Shi Ji Shi Chu Bian;
重读第一部清代诗歌文献学著作——《清诗纪事初编》
7.
On the Reflection of the Qing Dynasty Poetics about the Change and Resumption of the Chinese Poetics;
论清代诗论对中国诗学变复问题的反思
8.
On Zhu Tingzhen s Xiaoyuan s Notes on Classical Poetry;
清代滇人学者朱庭珍的《筱园诗话》及诗法主张
9.
The literary interpretation on The Book of Songs--from pre-Qin Dynasty to Qing Dynasty;
《诗经》的文学阐释——从先秦到清代
10.
The developing stages and the famous schools of the study of The Book of Songs in the Qing Dynasty;
清代《诗经》学的发展阶段及主要派别
11.
The Beginning of the Modern Study of the Book of Songs under the Influence of the Western Civilization--The Study of the Book of Songs during the Period of the Latter Part of Qing Dynasty and the Initial Stage of the Republic of China;
西学东渐下的现代《诗》学发轫——清季民初《诗经》研究初探
12.
On Relationship between ShiZhong and Imperial Examination and Its Influence on Taiwanese Literature in Qing Dynasty;
诗钟与科举之关系及其对清代台湾文学的影响
13.
Critics as Important Carriers of the Theory of Ci-Poetry:A Brief Discussion of the Value of Poems and Ci on Ci;
词学理论的重要载体——简论清代论词诗词的价值
14.
Sound Revitalized the Tradition from the Weakness of the Eight Dynasties:On the Study of Ancient Poetics and Rhymes in the Yuan,Ming and Qing Dynasties;
音起八代之衰——复古诗论与元明清古音学
15.
On the Poetic Creation of the Yi Scholar Gao Wen-ying in the Qing Dynasty;
论清代云南彝族学者高奣映的诗歌创作
16.
The Introduction and Practice of the New Criticism by the New Poem s Scholar of Tsinghua University in 1930s;
1930年代清华新诗学家的新批评引入与实践
17.
Self-Awareness of the Modern Verse:the Historical Significance of the Late Qing “Verse of the New Learning”;
新诗自觉:晚清“新学诗”的诗史意义
18.
Mongolian Poet BO MING and His YI SHAN SHI HUA
清代蒙古诗人博明与其《义山诗话》