1.
The Seclusion and Grief,the Back of Superiority,Free and Nature: on the Art Characteristic of Hanshan s Peoms;
“高远空灵”背后的“幽寂悲凉”——寒山诗歌艺术特色浅论
2.
Zhang Jie s Poetry Esthetics Thought of "Sui Hantang Notes on Poetry";
试论张戒《岁寒堂诗话》诗歌美学思想
3.
A Review of the History of Poetry by Ancient Chinese Degraded Scholars and Their Poems;
古来一语伤心甚 诗到穷愁底用工——寒士诗史及寒士诗歌价值评判
4.
A Monk-poet Beyond Space and Time: On Hanshan’s Zen and Buddhism in His Poems
跨越时空的诗僧——论寒山的诗禅佛韵
5.
The Dissemination and Reception of Hanshan s Poetry in France;
绝妙寒山道——寒山诗在法国的传布与接受
6.
Keeping to the path of desolation: Comment on Chen Yan s poetic creation;
坚守在荒寒之路——论陈衍的诗歌创作
7.
A Comparative Study on the Rhythms of Wang Fanzhi s and Hanshan s (Including Shide s)Poems;
王梵志诗、寒山诗（附拾得诗）用韵比较研究
8.
Poetry of Shanzuo School under the Influence of Taige Style in the Dynasties of Shunzhi and Kangxi
顺康之际台阁诗风影响下的山左诗歌
9.
Translation and Ecological Thought:Rereading Gary Snyder s Translation of Han-shan Poems;
翻译与生态思想——重读斯奈德译寒山诗
10.
On Han Shanzi and his scholarly poems;
论寒山子及其诗作──兼谈僧诗创作的文人化倾向
11.
The Integration of Man and Nature:the Best Mental State of Scenic Poetry--On the Image of Scenic Poetry of The Wei and Jin Dynasties;
天人合一：山水诗歌的最佳心灵境界——魏晋诗歌山水意象论
12.
A Characteristic of Primitive Simplicity and Peculiarity in Fu Shan s Poems;
论傅山诗歌“古朴奇拙”的艺术风格
13.
A Review of Poems of Tibetan Landscape in the Qing Dynasty;
雪域佛国的赞歌——清代藏游山水诗综论
14.
The Postmodern Poetic Metaphor in Barthelme s The Glass Mountain;
巴塞尔姆《玻璃山》中的后现代诗歌隐喻
15.
Educational Consciousness:Interpreting the Tujia Mountain Songs with The Book of Poetry;
教育自觉:以《诗经》之耳倾听土家山歌
16.
YaoJia and Aesthetic Theme Evolvement of Landscape Poetry and Pastoral Poetry;
姚贾与山水田园诗歌审美主题的嬗变
17.
A Comparison of The Mood in Poetry Between Xie Lingyun s Mountains and Water Poetry and Liu Zongyuan s;
谢灵运与柳宗元山水诗歌意境之比较
18.
North-South Difference in Culture of Song and Poem as Seen from Jianjia and Shangui;
从《蒹葭》与《山鬼》看北南歌诗文化之不同