1.
Puzzle in Narrating the Story About Low Estate;
底层世界叙说的困惑——底层小说创作现状解析
2.
An Interrogation of Existence and Soul;
生存与灵魂的拷问——王十月底层小说解读
3.
On the Bottom Expression and Female s Expression in FangFang s Novels;
论方方小说中的底层表述与女性表述
4.
Play the Suona Horn of the Life at the Bottom of Society--On the View of Narration in Liu Qingbang's Novels
吹响民间底层生命的唢呐——底层叙事视野中的刘庆邦小说
5.
Humanitarianism Spiritual Support of the Substrate Narrition;
人道主义:当今小说底层叙述的精神支撑
6.
Writing of the Dignity of the Bottom of Society--On the Ethic Thoughts of Wang Anyi s Fictions;
社会底层尊严的书写——王安忆小说伦理观解读
7.
A Review of Yan Lian-ke s Novel Shou Huo;
底层命运的寓言化表达——评阎连科长篇小说《受活》
8.
The Life on the Brambles:Perspective on the Grass Roots Description of Recently Printed Novels;
荆棘上的生命——透视近期小说中的底层书写
9.
The Pathos and Brawniness from the People of Humble Origin --Brief commenbts on the details of Shi Jie s novels;
来自生命底层的悲怆与顽强——简论石杰小说的底蕴
10.
The Life of Hong Kong Lower Level Societies--By Unimportant Person s Images in the Novels of Dong Rui;
香港底层社会的人生面影——论东瑞小说中的小人物形象
11.
Martin Eden comes from the bottom of the society and was once a sailor and hard laborer.
小说的主人公马丁伊登来自社会的底层，他当过水手，也当过苦力。
12.
Liang Xiao-sheng s Narration about the Subaltern Class Since 1990s;
论二十世纪九十年代以来梁晓声小说创作中的底层叙事
13.
Decode Psychological Cipher of the Bottom--taking JIN-Lu s work Beauty Carnival as an example;
破译底层的心灵密码——以锦璐小说《美丽嘉年华》为例
14.
The stirring aria on the life of the bottom class:an interpretation of LUO Wei-zhang s novel The Ballad of Sister-in-law;
一曲悲壮的底层社会人物生活咏叹调——读罗伟章小说《大嫂谣》
15.
On police image in recent bottom tribulation novel;
试析近期底层苦难小说中的警察形象——以《深南大道》、《愤怒》、《北妹》为例
16.
Flashy Appearance and the Sufferings of the Bottom--the comments on the novel Loach by YOUFeng-wei;
浮华的表象与底层人的苦难——论尤凤伟长篇小说《泥鳅》
17.
The Praise Song of the City Ground Floor Women s Life--Reading Wang Anyi s Saga Novel TaoZhiYaoYao;
都市底层女性的生命赞歌——评王安忆长篇小说《桃之夭夭》
18.
A Kind of Narration at the Bottom of Society:"Lingual Decolonialism" Under Rustic Reality--On the Artistry of Chen Yingsong’s Novels
底层叙事一种:乡村写实下的“言语解殖”——陈应松小说艺术论