1.
Immigrants' Art and Its Identity: Studies on Chaozhou Opera in Thailand
移民族群艺术及其身份：泰国潮剧研究
2.
Thailand-The Center of Overseas Chao-Ju from 1920s to 1930s;
泰国:20世纪二三十年代海外潮剧的中心
3.
The rise and fall of overseas Chaozhoulese sugar refining industry during the early days of the Siamese Bangkok Dynasty
泰国曼谷王朝时期潮人制糖业的兴衰
4.
About Worship of Mazu by Overseas Chinese of Chaoshan Natives and Overseas Chinese in Thailand;
潮汕籍华侨与泰国华侨华人的妈祖信仰
5.
Manchu Envoys Play-Going in European Capitals;
清使泰西观剧录——19世纪晚期的西方演剧及国人的最初接受
6.
On the Reasons for Low Tide of "National Opera Movement"--The Third Research Paper on "National Opera Movement"
也谈“国剧运动”退潮的原因——“国剧运动”研究系列论文之三
7.
Corneille’s tragedy in the Visual Threshold of the Classicism in French
法国古典主义文学思潮视阈下的高乃依悲剧
8.
Among english playwright, few will deny that shakespeare holds sway.
在英国的戏剧作家中鲜有人能否认莎士比亚文学泰斗的地位。
9.
Among English playwrights, few will deny that Shakespeare holds sway
在英国的戏剧作家中鲜有人能否认莎士比亚文学泰斗的地位
10.
Among English playwrights, few would deny that Shakespeare holds sway.
在英国的戏剧作家中鲜有人能否认莎士比亚文学泰斗的地位.
11.
On Influence of Western Romanticism on Chinese Modern Drama;
论西方浪漫主义思潮对中国现代话剧创作的影响
12.
The establishment of aesthetic Modernity in China--Guo Moruo's drama and Western Romanticism
审美现代性的中国式生成——郭沫若戏剧与西方浪漫主义思潮
13.
Modern and Nationality Anxious in the Wave of Westernization--Cultural Significance of "Chinese Drama Movement"
西化浪潮中的现代性与民族性之焦虑——试论“国剧运动”的文化意义
14.
Liu Guoli in Room 715.
刘泰国利，715。
15.
The fifth scene was the climax of the play.
第五场是全剧的高潮。
16.
of or relating to Thailand or its peoples or languages or culture.
属于或关于泰国、泰国人、泰语或泰国文化的。
17.
Speak good English and Mandarin. Speak Cantonese, Hokkien, Teochiew, Simple Malay, Thai and Taiwanese.
经通英语和华语，能讲广东话，福建话，潮州话，简单的马来语，泰国语和台湾语。
18.
The Entanglement of National Consciousness and World Consciousness;
民族意识与世界意识的纠缠——从泰戈尔在中国的接受看20世纪文学思潮的一个侧面