1.
The relation between Shanxia Wuyi,Xiao Wuyi and Xu Xiao Wuyi;
《三侠五义》与《小五义》《续小五义》关系辨
2.
A Review of the Vernacular Novels in the Qing Dynasty from San Xia Wu Yi and Xiao Wu Yi;
从《三侠五义》、《小五义》看清代的话本小说
3.
The Charateristic of the Chivalrous Person in "SAN XIA WU YI " and Its Rising Reason;
论《三侠五义》中的侠客形象群体特征及其成因
4.
The Spirits Worship and Cultural Implication of the Chivalrous Detective Novel
《三侠五义》中的鬼神崇拜及其文化意蕴
5.
On the Differences of Knight-errants Ethic Types in the Book of Three Heroes and Five Gallants(《三侠五义》)--Having Characters ZHAN Zhao,BAI Yu-tang and OU YANG Chun as Cases to Be Studied;
论《三侠五义》侠客道德类型的差异性——以展昭、白玉堂、欧阳春为例
6.
From "a Supernatural being" to "a Human being"--Analysis on the Changes of Lord BAO Image in Sanxiawuyi and Longtugong an;
从“神”到“人”——浅析《龙图公案》和《三侠五义》中包公形象的演变
7.
An Analysis of Love of Errantry Novels in Sanyan and Erpai;
《三言》《二拍》中侠义小说的爱情探析
8.
On the Advanced Culture in the New Chivalry Novels in Mainland China;
“三大主义”:论大陆新武侠的文化先进性
9.
The Metamorphosis of West Chivalrous Spirit--Reading"THE THREE MUSKETEERS";
从《三个火枪手》看西方侠义精神及其蜕变
10.
As the avatar of justice, they were praised by many people.
侠是“义”的化身。 侠义精神为后人所称颂。
11.
Zeng's well-proportioned design reveals the heroes awe-inspiring righteousness.
突出地表现了三个人物的铁骨侠风大义凛然之气。
12.
Transformation from Chivalrous Fiction to Swordsman Fiction during the Late Qing Dynasty and the Early Republic of China;
清末民初侠义小说向武侠小说的蜕变
13.
The Errantry World of Liaozhaizhiyi;
悠悠侠义魂 谆谆劝世心——论《聊斋志异》的侠义世界
14.
The Deterioration of “Chivalrous Justice” and Its Historical Status;
“侠义”的蜕变及历史定位——谈清代公案侠义小说
15.
3.She must be addressed as "Little Sister" and not as "5th Mistress" or "5th Aunt" or "5th Elder Sister-in-law", etc.
（三）名义只是小姨，不得称为五奶或五婶，五嫂等。
16.
The Influence of Jin Yong s Kungfu Literature on Senior Students Sense of Chivalry;
论金庸武侠小说对中学生侠义观的引导
17.
Chivalry Spirit and Its Historical Value in Late Qing Chivalry Novels;
论晚清侠义小说中的武侠思想及其价值
18.
Review of the chivalrous image and chivalrous spirit in the novels of the 1920s;
二十年代小说中的侠意象与侠义精神评述