1.
The Generation of Metaphysics and Metaphysical Poetry--On the Particular Significance of "The Situation Changed with World’s Change";
玄学与玄言诗的生成——以“文变染乎世情”为视角
2.
Different Essence of English Metaphysics Poetry and Chinese Xuan Poetry
英国玄学派诗歌与中国玄言诗的不同玄机
3.
Prof.Qigong s Discussions on Metaphysics,Metaphysical Poems and Metaphysical Poets in Wei and Jin Dynasties;
启功先生论魏晋玄学、玄言诗及玄言诗人
4.
Analysis on East Jin s Metaphysics Poetry and Song Dynasty s Philosophical Poetry;
浅论玄言诗说“玄”与宋诗说“理”
5.
The Metaphysic Thoughtway and Poetic Features in Wei-Jin Dynasty--Comments on the "Tastelessness" of Metaphysic Poetry;
玄学思想方法与魏晋诗歌的艺术风貌——兼谈玄言诗“淡乎寡味”的问题
6.
Comparison between the 17th C. British Metaphysical Poetry and the Chinese Metaphysical Poetry in Dongjin Dynasty- The Paradoxical Relation between Poetry, Philosophy and Religion;
英国玄学派诗歌与东晋玄言诗之比较——兼谈诗歌与哲学和宗教的关系
7.
TAO Yuan-ming and the Metaphysics-showing Poems;
陶渊明与玄言诗——兼论陶、谢诗风的差异
8.
“Xing,Ying and Shen” and Tao Yuanming s Suite of Poems;
《形影神》与陶渊明对玄言诗的改制
9.
Bian Zong Lun and Xie Lingyun’s Reformation on Metaphysical(Xuan Yan) Poems;
《辨宗论》与谢灵运对玄言诗的改制
10.
Development of East Jin s Metaphysics poetry:Outline;
东晋玄言诗发展述略——东晋玄言诗研究之一
11.
On the Basic Features of Metaphysical Poetry
何为玄言诗——兼论当下玄言诗研究存在的问题
12.
Ebb,Flow and Blend of Metaphysical Poem and Mountains-and-Waters Poem Between the Jin Dynasty and the Song Dynasty;
晋宋时期玄言诗与山水诗的消长与融合
13.
The Reclusive Predicament of Yuan Chang and the "Occult and Occult" Style of His Poesy
袁昶的仕隐困境与“玄又玄”诗歌风貌
14.
On Zhu Daosheng's Deconstructing and Reconstructing the Concept of Speech and Meaning of Chinese Metaphysics
竺道生对玄学“言意观”的解构与重建
15.
“XuanXue” and Tao Yuanming s Rural Poetry--On the Source of Tao Yuanming s poetry style;
玄学与陶渊明的田园诗——陶渊明诗歌风格探源
16.
Tao Yuan-ming s Poems and Bird Image;
陶诗与鸟——兼论陶渊明玄学人生观的诗意转换
17.
Rational Poetry Originating from Emotion--On poetry in metaphysic style from philosophy with literary expressions;
理性缘情之诗——以哲学的文学表达视角重评玄言诗
18.
Liu Xie s Idea on Word and Meaning:The Transformation from Philosophy to Poetics;
“言意之辨”从哲学和玄学向诗学的转换——论刘勰的言意观