1.
The Purity of Music--Reflection on Music Essence;
论音乐美的纯粹性——对音乐本质的思考之三
2.
Practical Significance of Music Aesthetics for the Practice of Music Performance
论音乐美学对音乐表演实践的现实意义
3.
Discussing on Centering on Aesthetics of Music Education;
试论音乐教育要“以音乐审美为核心”
4.
Viewing Huang Zi s Music Composition and Aesthetic Ldeology in a Historical Perspective;
论黄自的音乐创作及其音乐美学思想
5.
No musical image in the Process of Music Taste;
论音乐审美感受中的“非音乐”表象
6.
On the Influence of Ideological Trends in Music on Composition and Aesthetics;
论音乐思潮对音乐创作和审美的影响
7.
Music Aesthetic Ideas in Sound without Dirge;
《声无哀乐论》音乐美学思想研究述评
8.
On Universal Human Values of Music Aesthetics in Yue Ji(Records of Music);
论《乐记》音乐美学的人类普遍价值
9.
On The Beauty of Tujia Music Music types, Dissemination and the Artistic Beauty of Thread Abstract;
论土家族音乐之美──乐种、传播、线的艺术
10.
On Music is Irrelevant to Grief or Joy-Analysis of Ji Kang' Music Aesthetics
从《声无哀乐论》看嵇康的音乐美学思想
11.
Simply on Laozi s Music Aesthetic View in his Words The Extremely Loud Sound Can Not be Heard ;
略论老子“大音希声”的音乐审美观
12.
" He (Harmony)" and "De (Virtue)" in Music--on ideas of music esthetics of China and the West in ancient times;
音乐中的"和"与"德"——论中西古代的音乐美学思想
13.
From Esthetic Viewpoint to Discuss the Historic Continuity and Inconstancy of Music;
从音乐审美功能论音乐的历史延续性和易变性
14.
Discuss on the Form and Content of Musical Art from the Angle of Musical Aesthetics;
从音乐美学角度论音乐艺术的形式与内容
15.
Discussion on the Relation of Music Basic Knowledge Study and Music Aesthetic Education;
论音乐基础知识学习与音乐审美教育的关系
16.
On the Expression of JI Kang′s Music Aesthetic Subject Ideas in “Sounds Without Sorrows” Theories;
论稽康音乐审美主体观在《声无哀乐论》中的体现
17.
Research of the Aesthetic Relationship of Music Art--An Aesthetic Look into the Musical View in Huai Nan Zi;
音乐艺术审美关系初探——兼论《淮南子》中的音乐审美观念
18.
Accepting Differences among Music Aesthetic Subjects--And about Music Aesthetical Thoughts of Huainanzi;
音乐审美中主体的接受差异——兼论《淮南子》中的音乐美学思想