1.
On the Drama Writings of Xinyue Style──Fake the Mutiny and A Hornet for Exemple;
论新月派戏剧创作──以《兵变》《一只马蜂》为例证
2.
New Idea about Lutefula·Mutalifu s Dramatic Creation;
鲁特甫拉·穆塔里甫的戏剧创作新论
3.
On Brecht s Theatrical Creation Ideology;
论德国戏剧家布莱希特的戏剧创作观
4.
Freak out on playwriting
在戏剧创作上标新立异
5.
Explain fantastic to like life while being sad directly Fantastic innovation and creation of sending the drama out of the common;
直喻荒诞悲喜人生——论荒诞派戏剧与众不同的革新与创造
6.
Excessiveness of signifier and deficiency of dialogue--On language features of opera of the absurd;
能指的过剩与对话的缺失——论荒诞派戏剧语言的创新
7.
A Surfer, Explorer and Innovator--On Wei Minglun s Drama Creation;
弄潮儿 探索者 革新家——试论魏明伦的戏剧创作
8.
Shallowly Talking About the“ Nine Leafs” Poem Parties of “the Modern Poetry Drama Turns” Theories;
浅谈“九叶”诗派“新诗戏剧化”理论
9.
Comments on Works of Modern Drama from "Novel Monthly Report" (1921-1930);
《小说月报》（1921—1930）戏剧翻译和创作研究
10.
A Flower of Hope in the Vase of Art--A New Crescent Perspective on Dramatic Aesthetics;
艺术之瓶里的希望之花——新月派戏剧美学观
11.
The Theory of Creative Evolution in Shaw's Drama
论萧伯纳戏剧创作的“创造进化论”思想
12.
YU Shangruan--the explorer of the New Moon drama theory;
余上沅——新月下的戏剧理论探索者
13.
Elementary Approach to Unisku s Drama --Supplementary Approach to Drama of the Absurd;
尤奈斯库戏剧浅谈——兼论荒诞派戏剧
14.
On Artistic Writing Feature of "Anti-Drama" in Waiting for Godot;
论《等待戈多》“反戏剧”的艺术创作特色
15.
On the Characteristics of Drama Creations Between Guanhanqing and Shakespeare;
论关汉卿与莎士比亚戏剧的创作特点
16.
Features of Seypidin Azizi s Drama Creation;
试论赛福鼎·艾则孜戏剧创作的特点
17.
Traditional Opera s influence on the Wu Zuguang s Modern Drama;
论戏曲艺术对吴祖光话剧创作的影响
18.
On Dramatic Development of the Music of the 19 Century European Operas;
论19世纪欧洲歌剧创作中音乐戏剧性的发展