1.
Subvert History,Sully Humanity,Trample on Social Morals and Violate Laws--A Sharp Criticism of the Film "Sejie";
颠覆历史,玷污人性,践踏道德,涉嫌违法——电影《色戒》批判
2.
Lust·Caution: Enigma and Apperception:From Eileen Zhang s Novel to Ang Lee s Movie;
《色·戒》:设谜与解谜——从张爱玲小说《色·戒》到李安电影《色·戒》
3.
On the Success and Failure of the Adaptation of "Lust·Caution" and "The Song of the Unending Sorrow";
试论电影《色·戒》《长恨歌》改编的成与败
4.
More Cruel is Love than Death--The Tragic Fate of Wang Jiazhi in Lust Caution
论电影《色·戒》中王佳芝的悲剧命运
5.
On the Differences between the Film and the Novel of Lust,Caution
论《色戒》的电影文本与小说文本的差异
6.
Growing In The Criticism--The Effect of The Criticism To TV Culture;
在批判中成长——浅谈电视批评对电视文化的影响
7.
On the Campaign of Criticizing the Film Wu Xun Zhuan in Shanghai in 1951;
1951年上海批判电影《武训传》运动始末
8.
Self Review Connecting to Wu Xun Criticism--Guo Moruo and the Critical Movement of the Film Wu Xun s Biography;
“联系着武训批判的自我检讨”——郭沫若与电影《武训传》批判风潮
9.
Unsuccessful"Beauty Trap":Analysis of the Image of the Heroine Wang Jiazhi;
失败的“美人计”——电影《色·戒》女主人公形象分析
10.
Feminism Stand and Breakthrough in the Novel Text and Film Version of Lust·Caution;
《色·戒》小说和电影文本中女性意识的坚守与突*破
11.
The Antinomy of Ang Lee s Films Based on lust,Caution;
差参对照：李安电影的二律背反性——以《色，戒》为核心
12.
Patriotic Feelings,Body Politics,Selfish Lust-Comment on An Lee s Lust,Caution;
国族情怀 身体政治 私己爱欲——解析李安电影《色·戒》
13.
On the Discourse "Assaulting" in Society of Spectacle Ecology--An Analysis of the Syndrome of Film Lust·Caution
景观社会生态中的话语“突击”——电影《色·戒》症候论析
14.
Aesthetical Criticism of Current Chinese Commercial Movies in the Vision of Inter-subjectivity;
主体间性视域下的当下国产商业电影审美批判
15.
《Lust,Caution》:from literture to movie--perfect combination of literature spread with movie spread;
《色·戒》:从文学到电影——文学传播与影视传播的有机结合
16.
Difficultly Walking Out:Narration in Naked Dash--On Li An s Movie Creation of the Novel Lust,Caution;
艰难的走出:在裸奔中讲述——论李安基于小说《色·戒》的电影创作
17.
Chinese Star System within the Framework of Mass Media--A research on Star Making in the Film"Lust Caution"
大众媒介语境下的中国电影明星机制建构——从电影《色·戒》中的明星制造谈起
18.
A Review of Movie Taolijie--A Movie Featuring Criticalness,Class Dependency,Violence Tendency and Plainness in Art;
电影《桃李劫》散论——批判性、阶级性、暴力性与艺术朴素性之共存