1.
The Comparison of the Different Architecture of the Dazu Caves and the Dunhuang Caves;
大足石窟与敦煌石窟建筑形式的比较
2.
and the Guanyin of One Thousand Hands and Eyes and the 31-meter-long Sleeping Buddha are symbols of the grottoes.
其中，千手观音和31米长的睡佛或释迦涅槃图为大足石窟中的代表作。 ．
3.
The Historical Remains Of The Modality For The Poetic Drama Dissemination South In Song Dynasty;
宋代杂剧南传形式的文物遗存——四川大足石窟“六师外道谤佛不孝”群像考
4.
New Ideas in Chinese Cave Art of the Mount Baoding Caves
大足宝顶山石窟对中国石窟艺术的创新──密教道场之研究
5.
Heavenly Kings Impression--Dazu Chongqing Beishan on the 5th Cave BISHAMON Salmonella Feelings
天王印象——重庆大足北山5号窟毗沙门天王像与龙门石窟比较谈
6.
The Birth and Explanation of Meaning System: Analyzing the Statues of Baoding Grotto at Dazu
意义系统的生成与阐释:大足宝顶石窟造像分析
7.
A Comparative Study of The Lay-Out of Sculptures in The Central Pillat Grotto and A Huge Image Grotto to The Brush Work of Mural at The Kucha Grottoes;
龟兹石窟中心柱窟和大像窟塑像布局与壁画风格类型的比较
8.
Yungang Grottoes The Yungang Grottoes, one of the largest grottoes in China, lies on the Mount Wuzhou in Datong City.
云冈石窟位于大同市西16公里武周山南，是中国最大的石窟之一。
9.
The Kezir Grottoes of the ancient Qiuci Grottoes in Xinjiang Uygur autonomous Region are the biggest in scale and most intact in preservation.
新疆古龟兹石窟群中规模最大、保存较好的克孜尔石窟，
10.
The caves range in size from a few meters across to huge halls.
这些石窟按大小排列，小到几米的小洞，大到几十米的大窟。
11.
An interpretation of the representations of the mandala with Vairocana and the Eight great Bodhisattvas at Dunhuang Grottoes(Part Ⅰ)
敦煌石窟八大菩萨曼荼罗图像解说(上)
12.
Atmospheric pollution surface weathering of rock-cut stone carving in Nanxiangtang;
大气污染对南响堂石窟石雕表面风化的影响
13.
A Study of “Fu Dashi Vajracchedika-Sutra in the Liang Dynasty” Unearthed in Dunhuang;
敦煌莫高窟北区石窟出土《梁朝傅大士颂金刚经》残叶研究
14.
The largest one, numbered 16, has a total floor space of 268 square metres while the smallest one, numbered 37, is a mere niche with room only for a man's head.
石窟大小不等，最小的37号窟，刚能将头钻进去； 最大的16号窟，面积达268平方米；
15.
A great stone, dropped from above, smashed through the bottom of the boat.
一块大石头从上面落下来，把船底砸个大窟窿。
16.
The Longmen Grottoes peaked in the Tang Dynasty and declined with its insurrection by an Lushan and Shi Siming.
龙门石窟至唐而大盛，安史之乱后逐步衰微。
17.
The Erosion of Yungang Grottoes by Air Pollution and its Protection Countermeasures;
大气污染对云冈石窟的风化侵蚀及防护对策
18.
On the Culture of Wei Rubbings of Beiwei Dynasty in Luoyang and Datong--Taking Grottoes as a Center
试论北魏大同、洛阳的魏碑文化——以石窟为中心