1.
Comments on “Music Has No Distinctions Between Happiness and Sorrow" by Ji Kang;
嵇康《声无哀乐论》的音乐思想简论
2.
Formulation of Music Function In Sound without Funeral Music;
《声无哀乐论》中关于音乐功能的阐述
3.
Music Aesthetic Ideas in Sound without Dirge;
《声无哀乐论》音乐美学思想研究述评
4.
On Music is Irrelevant to Grief or Joy-Analysis of Ji Kang' Music Aesthetics
从《声无哀乐论》看嵇康的音乐美学思想
5.
About HUANG Dao-zhou's Music Aesthetics:A Comparison Between his Debates againt Ji Kang's Sound,no Sorrow or Joy
从《声无哀乐辩》与《声无哀乐论》的比较中看黄道周音乐美学思想
6.
The implications of sheng in Music without Sadness and Happiness by Ji Kang;
《声无哀乐论》中“声”的三个层次
7.
The Harmony Aesthetical Ideology in Ji Kang s No Sadness in Music;
论嵇康《声无哀乐论》的“和”美学思想
8.
Aesthetic Ideology against Confucianism in Jikang s Sound without Dirge;
嵇康《声无哀乐论》中反儒学的美学思想
9.
The Cause of “Music Has No Sorrow or Joy”and the Problem of its Valuation;
《声无哀乐论》的产生原因及其评价问题
10.
On the Expression of JI Kang′s Music Aesthetic Subject Ideas in “Sounds Without Sorrows” Theories;
论稽康音乐审美主体观在《声无哀乐论》中的体现
11.
On Ji Kang s Music Ideas--Questioning on Sound without Dirge;
嵇康音乐思想述评——兼及对《声无哀乐论》的质疑
12.
On the Otherness of the Musical Aesthetic Subject--From Ji Kang s Perspective of The Music is Irrelevant to Grief or Joy of;
从嵇康《声无哀乐论》看音乐审美主体的差异性
13.
Subject and Object Reciprocate to Enjoy Harmonious Tone--Study Ji Kang‘s music appreciation theory from "Tone has no sadness or happiness;
主客互动悦和声——从《声无哀乐论》看嵇康的音乐欣赏理论
14.
On Ji Kang's Sheng-wu-ai-le-lun in the Perspective of Aesthetic Psychology
从审美心理学角度谈《声无哀乐论》之“音心”问题
15.
Two extremes of ancient Chinese music ──A brief introduction to The Music Book and On So und Without Sadness;
中国古代音乐思想的两极──《乐记》、《声无哀乐论》哲学美学思想概观
16.
Discussion on the Musical Aesthetic Thinking in the Talk of "Qingke";
再读《声无哀乐论》——浅谈“秦客”言论中的音乐美学思想
17.
Awakening of Music:Individual Life s Freedom Comes True;
音乐的自觉:个体自由生命的唱响——对《声无哀乐论》的一种解读
18.
The Relationship between Music and the Citizen Quality Education--A new view to the value of Music Has No Sorrow or Joy;
音乐与公民素质的培养——理解《声无哀乐论》当代价值的一个视角