1.
His theoretical works included Painting Thesis and Notes on Painting the Yuntai Mountain.
他留下来的论著有《论画》、《画云台山记》等。
2.
On Wu Changshuo s Aesthetic Thought of"Draw Qi not Draw Shape";
论吴昌硕“画气不画形”的绘画美学思想
3.
A "Painting Master of the Time":the Zenith of Classical Landscape-(On the painting art of Wang Shigu);
“当代画圣”:古典山水画的巅峰——王石谷绘画艺术论
4.
On untranslatability of yi jing (artistic mood) of the classic Chinese poetry;
画虎画皮难画骨——论古典诗歌中“意境”的可译性
5.
Painting history equal to painting study: Deng Yizhe’s aesthetics in painting and calligraphy and its methodological significance;
画史即画学——邓以蛰书画美学及其方法论意义
6.
Interpretation on Mature Form of the Theory of Landscape Painting: Huashanshui Xu and Xuhua
解读山水画理论的成熟形态——《画山水序》和《叙画》
7.
On the Historical Value of Sheng Hua Ji
论中国首部题画诗集《声画集》的画史价值
8.
Wonderland in the Poems of Traditional Chinese Painting
题画诗中有洞天——评《论艺题画诗选注》
9.
Edgar Degas, a Classicist Painter of the Impressionism
论印象画派中的古典主义画家——德加
10.
A Study on the Painting Artistic Thoughts in JieZiyuan Model Painting Book;
论《芥子园画传》中的绘画艺术思想
11.
The Poets’ Self-presence in the Poems for Landscape Paintings in the Song Dynasty;
论宋代题山水画诗“画中有我”的自寓性
12.
Painting,Calligraphy and Poem: Three Kinds of Artistic Uniqueness Achieved by Prof.Qigong s;
一生三绝画书诗——论启功先生的题画诗
13.
The Initiation of the Combination of Poetry and Paintings--A Brief Analysis on the Inscribed Poems on Paintings in the Six Dynasties;
诗与画的融通之始——浅论六朝题画诗
14.
The Last Years Self-image of Heller: Portrait of an Artist, as an Old Man;
海勒末年自画像《老年艺术家画像》综论
15.
ON THE FLOWERS AND BIRDS PAINTING ON CERAMICS FROM THE TONGGUAN KILN OF CHANGSHA IN THE TANG DYNASTY;
论陶瓷绘画的唐代长沙铜官窑花鸟画
16.
On Yunnan monk painter in the late Qing Dynasty Guocheng s achievements in painting art;
论晚清云南画僧果成的绘画艺术成就
17.
Research on Lidai Minghua Ji and Other Painting Theory of Tang Dynasty
《历代名画记》及唐代绘画理论研究
18.
Harmony between Inscription Calligrphy and Artistic Conception in Chinese Painting
论中国画题款书法与画面意境的和谐