1.
The Audiences Aesthetic Awareness and the Realization of theAesthetic Values in the Traditional Chinese Opera --On the Reform and Approach to Modern Operas;
观众审美意识与戏曲审美价值的实现——兼谈现代戏曲的改革与途径
2.
Cultural Implication and Historical Destination of the Stylization of Traditional Opera;
戏曲程式的文化蕴涵与历史命运——兼论现代戏曲符号体系的建构
3.
Dreamlike Stage-Brief Talk about the Influence of Lighting Technology on Type of Stagecraft
浅谈现代戏曲写意动态灯光美学——以新编歌剧《桃花扇》为例
4.
Models for "Dramatization"and"Modernization"in the Current Dramatic Works;
当代戏曲“戏曲化”与“现代化”的范例
5.
The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics;
戏曲艺术精神与戏曲现代化——张庚戏曲美学思想初探
6.
Traditional opera to reflect modern life and opera modernization;
中国戏曲的世纪命题——戏曲表现现代生活及“现代剧”的确立
7.
The catalyzing of western drama to the"modernization/of Chinese classical drama advancement;
西方戏剧对中国古典戏曲“现代化”进程的催化
8.
The Cultural Interpretation of "Soul" and "Dream" in Chinese Ancient Opera;
中国古代戏曲“魂”、“梦”现象的文化阐释
9.
A Brief Account on the Artistic Style of "Soul"and "Dream"in Chinese Ancience Opera;
中国古代戏曲魂梦现象艺术风格略论
10.
Contrast and Absorb:relationship between modern drama and traditional opera;
参照与借鉴:现代话剧与戏曲的关系
11.
As the current most ancient drama form, Kunqu Opera is one of the original three of the world's largest ancient dramas.
昆曲，中国现存最古老的戏曲形式，世界古代三大戏剧源头之一。
12.
The subject of Modern life in drama art view--Qi Rushan s reform theory of drama art;
戏曲艺术视域中的现代生活题材——兼论齐如山戏曲艺术改革理论
13.
Modern Chinese Intellectual s Complex Feelings towards Traditional Opera;
中国现代知识分子对于传统戏曲的复杂情结
14.
Media Erosion of Aesthetics of Traditional Opera;
论现代传媒技术对戏曲本质美感的消解
15.
Necessity and Possibility of Introducing Opera Literature into Modern Literary History;
戏曲文学进入现代文学史写作的必要和可能
16.
On Cultural Geographical Features About Institutions of Higher Learning, Bookstores and Traditional Operas in Beijing Proper From 1900 to 1949;
近现代北京城区教育、书肆、戏曲的文化地理特征
17.
Modern Transformation of Local Opera and Construction of Regional Culture
地方戏曲的现代转型与地域文化之建构
18.
"The earliest notations for Chinese opera date from the Qing period. Notations for Kunqu and Beijing Opera texts use only gongche notation, and. only the vocal part is notated."
最早的中国戏曲乐谱出现于清代。昆曲和京戏记谱采用的是工尺记谱法，而且只记唱段。