1.
Traditional Wood Block and Wood Carving in Gansu
远古神韵:甘肃传世木版画和木雕塑
2.
Advantage of the Destroyable Watermark Woodcarving for the Chinese Creative Woodcarving
论绝版水印木刻在中国创作木版画中的优势
3.
I'd be happy to show you my collection of woodblock prints any time.
我乐意随时给你看我收集的木版画。
4.
Chinese Painting and Woodblock Prints of Black and White Black and White Study of Cross-Relations
中国画的黑白与木版画的黑白交叉关系研究
5.
The woodcut reproduced below circulated in print in the1520 s.
下图重现的是16世纪20年代流通的木版画。
6.
etchings, woodcuts, lithographs;
蚀刻、木刻、平版画；
7.
Most of the woodblock prints of the Northeast are colored woodcuts.
北大荒版画基本上是套色木刻。
8.
Investigation and Thought of New Year Woodcut made in Yangjiabu,Weifang
对潍坊杨家埠木版年画的调查及思考
9.
Study on the Ethnical Features of Yanan Xylographs during the Chinese Anti-Japanese War;
抗战时期延安木刻版画民族特色研究
10.
The Study on Inheriting and Propagating Design in the Yangliuqing Wood Lunar New Year s Painting;
杨柳青木版年画传承与传播设计研究
11.
On Brand Re-positioning of Zhuxianzhen Woodcut Printed New Year Picture;
朱仙镇木版年画品牌再定位策略研究
12.
Impact of Woodcut Art in the Two Areas on Contemporary Engraving Creation Spirit;
两区木刻对当代版画创作精神的影响
13.
Researching about Gusu Engraving of Taohuawu Woodcutting New Years Prints;
苏州桃花坞“姑苏版”木刻年画研究
14.
Study on the Images of Female Figures in Chinese New-year Folk Wood Engravings of Qing Dynasty;
清代民间木版年画女性人物图像研究
15.
Comparison between Zhuxianzhen Graphic Arts and Ukiyoe;
朱仙镇木版年画与日本浮世绘之比较
16.
A Study on the Origin of Fengxiang Board Pictures and its Aesthetic Value;
凤翔木版年画源流及其美学价值初探
17.
The Development and Evolution of Door-God s Modeling in the New Year s Graphic Pictures;
木版年画中“门神”造型的发展与演变
18.
Theory on National Feature of Yan an Woodcut During the Period of the Anti-Japanese War;
论抗战时期延安木刻版画的民族特色