1.
Of, resembling, or constituting program music.
标题音乐的标题音乐的，与之相似的，或组成标题音乐的
2.
Liszt is both the theme music creator, and its enthusiastic advocator.
李斯特是标题音乐的创始者, 也是热情的倡导者。
3.
The music is descriptive rather than programmatic.
这种音乐是叙事性的而不属于标题音乐。
4.
Pop music is mostly program music.
流行音乐大多是标题音乐。
5.
Music and Literature:Cultural Connotations in Absolute Music and Non-Literary Nature in Program Music
“纯音乐”的人文内蕴和“标题性音乐”的非文学性指向
6.
The Social activties and Pure Music In Copland s “Practical Music” and Drama Music;
科普兰“实用音乐”—戏剧音乐时期的无标题纯音乐作品及其这一时期的主要活动
7.
Usually symphony is absolute music.
交响乐通常都是无标题音乐。
8.
programme music (music intended to suggest a story,picture,etc)
标题音乐（旨在以音乐表现某情节、图像等）.
9.
The Standard of Music Curriculum and Reform of Radical Music Education;
音乐课程标准与基础音乐教育的改革
10.
a purposeful musician.
一个目标明确的音乐家
11.
On the Development of Popular Music and Non-popular Music;
论大众音乐与非大众音乐的发展问题
12.
an increased downplaying of programmatic conception, with more skillful stereophonic and symphonic composition.
非标题性思维和无标题音乐逐渐增加;立体化、交响性的乐队写法更纯熟;
13.
The theme music from Jeopardy has become a symbol of thinking or thought.
在美国社会里，杰帕迪的主题音乐已经成了智力竞赛的标志。
14.
The Virtual and Real Handling of Captions and Appearance--Music appearance analysis of Lizt s Tasso: Whine and Triumph;
标题与形象的虚实处理——李斯特《塔索:哀诉与凯旋》的音乐形象分析
15.
The Multi-cultural Music Education of the United States Standards for Music Education;
美国《音乐教育标准》中的多元文化音乐教育
16.
The University Musicology Reform under the New "Music Course Standard";
《音乐课程标准》冲击下的高校音乐教育改革
17.
An Insight into the New Change of Music Teaching under the Guidance of Music Teaching Target
透过音乐教学目标审视音乐课堂教学的新变化
18.
How to Excite The Emotion to Experience--Enlightenment of high teacher s chorus teaching of "course standard of the music";
关于高师合唱教学激发情感体验问题探讨——《音乐课程标准》的启示