1.
A Study on the Date of Production of Ink-stones with a "Xiu-cheng Hu Kaiwen" Mark
胡开文款“乾隆小巫山樵书画墨”制作年代的再探讨
2.
Key Components in the History of Chinese Painting and Literature--Interpretation of ZHENG Ban-qiao s Paintings and Poems;
中国书画史和文学史上的浓墨重彩之笔——郑板桥书画诗文解读
3.
Painting in the traditional style involves essentially the same techniques as calligraphy. It is done with a brush dipped in black or colored ink. Oils are not used.
传统绘画与书法的基本技法相同，即用毛笔蘸黑墨或彩墨作画，不用油画颜料。
4.
As A Paradox, Why Does Contemporary Chinese Ink and Wash Painting Name Itself "Modern Ink and Wash;
二元悖反,当代中国水墨书画何以自称“现代”
5.
Application of Falsehood Versus Reality of Ink and Wash to Design of Book and Magazine of Black and White
水墨画的虚实留白在黑白书刊版式中的运用
6.
The Great Infection of Calligraphy to Huang Binhong's Chinese Landscape Painting;
“引书入画”在黄宾虹山水画笔墨转换中的重要作用
7.
The Dark Ink and the Sweet Smelling of Books The Poems,Paintings Being Out of the Common Run--The Linchuan Li Family of Scholars in Guilin in Qing Dynasty;
书香翰墨浓 诗画齐出众——清代“桂林临川李氏”书香世家
8.
The Paper Being Soft and the Ink Being Fragrant--the Correlation of Collection of Books and Family Engraving with the Writing of Painting History of Yutai by a Woman Writer
纸润墨香——藏书、家刻与女性著述《玉台画史》之成书关系
9.
The theories about handling brush and ink are similar in calligraphy writing and traditional Chinese picture drawing.
特别是在宋元文人画出现以后，绘画用笔讲究从书法中来，水墨写意与书法的行草意趣相通。
10.
"Sage God, in Splash-ink"
泼墨仙人图（绘画）
11.
Mexico City→the city of frescoes
墨西哥城→壁画城。
12.
a view of Paris, done in oils.
用油墨画的巴黎风景画
13.
As the array of landscape paintings, calligraphy and ink pots reminds one, China was run by scholars.
那些风景山水画，书法和墨盒，使人想起中国是由学者统治的。
14.
Records show he soaked his own hair with ink and used it to create a calligraphy work, thus earning himself the nickname "Crazy"Zhang.
画史上记载，他曾经用头发濡墨书写大字，当时人们叫他"张颠"。
15.
Artistic conception of painting,calligraphy and seal cutting--Aesthetic characteristic of painting,calligraphy and seal cutting of Mr.LIU Zaixue;
墨意丹境瓦当情——柳在学先生书画篆刻联璧的审美特点
16.
Study on the Development of Ink Image and Figure Paintings;
水墨墨象与水墨人物画演进历程试探
17.
The Utilization of Chinese Ink Painting in Ink Animation
浅谈中国水墨画在水墨动画中的运用
18.
The third is Chinese painting began to influence calligraphy in the late North Song Dynasty, first symbolized by Mi Fu, and the ink technique is the starting point of its influence.
第三、以米芾为标志的北宋晚期,绘画影响书法初显端倪,墨法是它影响书法的切入点。