1.
Through《Jie Gu Lu》to Understand the Buddhist Music's Impact on China Music in Wei and Jin to Sui and Tang Dynasties
从《羯鼓录》看魏晋至隋唐时期佛教音乐对中原音乐的影响
2.
festival concert
中乐／弦乐／管乐节音乐会
3.
On Empathies in Music Appreciation;
音乐欣赏中的“移情”现象构成原因浅探
4.
Pondering over establishing database for traditional music in the Central Plains of China;
中原传统音乐资料数据库建设之思考
5.
The Fugue Principle in Henry Purcell s Drama Music;
亨利·浦塞尔戏剧音乐中的赋格原则
6.
The Original Relationship between the Central Plains Culture and Music Culture of Fan Yao
番瑶音乐文化与中原文化的渊源关系
7.
Music Reduced to its Single Tone-On the Creative Space of Musical Sound;
音乐的还原——论音乐音响的创作空间
8.
Han Music also originated among the people of the Central Plains, and was brought south by the migrating Hakka people.
汉调音乐源自古代中原地区的民间音乐，随客家人南移，
9.
On The Structural Principle Of The Rondo Form In Chinese Traditional Ritual Music;
论中国传统仪式音乐中的回旋体结构原则
10.
University Music Education Should Introduce the "Primitive Music";
高校音乐教育应重视引进“原生态音乐”
11.
and to add musicality to translation.
以及在译诗中增加音乐性以保留原诗的诗意。
12.
Song of the soul with free and easy freedom--Talk about the song of original works of music of Chinese network;
自由洒脱的心灵之歌——论中国网络音乐原创歌曲
13.
National Characterisitics:Driving Force and Spiritual Topics in Creating Chinese new Music;
民族性:中国新音乐创作的原动力和精神主题
14.
The Reason Why Broadway Musicals Made a Hit in China and the Enlightenment;
百老汇音乐剧成功登陆中国的原因及启示
15.
Creative Education Principles in Music Education Reform in Teachers Colleges and Universities;
试论高师音乐教育改革中的创新教育原则
16.
The Origin of the Folk Music Culture in Central Plains and the Inheritance,Spread and Development of It;
中原地区民间音乐文化渊源与传承发展
17.
Canuse of rare use of the jiao - note in our national music;
浅析角调式在我国民族音乐中较少使用的原因
18.
The Research on Xiyu Musicians Coming to the Mainland of China in Sui and Tang Dynasties
隋唐时期来到中原的西域音乐家之研究