1.
The Asthetic Purpose of the Painting "Simple Nature Interest" ─Brief discussion on Buyantu s understanding and inheritness of Nanzong pictures spirit;
“淡然天趣”的绘画美学宗旨──简论布颜图对南宗画宗风之理解与继承
2.
An Inquiry into Dong Qichang s Theory of the Southern and Northern Schools from the Perspectives of Huadao and Huapin;
从画道、画品的角度看董其昌的南北宗论
3.
Study on the Painting Art of DongYuan and the Landscape Painting Model of Nanzong;
董源的绘画艺术与南宗山水图式管窥
4.
The Imperial Painting academy reached its peak of development in the period from Emperor Huizong's reign to Emperor Xiaozong's reign of the Southern Song Dynasty (1127-1279).
皇家画院最活跃的时期是从宋徽宗到南迁后高宗、孝宗时期(1101-1189)。
5.
Looking at Dialectically the Influence of Dong QiChang s "Theory of Southern & Northern Sects" on Chinese Paintings;
董其昌“南北宗论”对中国画影响的两面观
6.
At early South-Song Dynastry, after the war between the Song Dynasty and Jin stopped, there was a rapid development in economy and society.
南宋初年宋金停战,经济、社会有较大发展,宋高宗恢复了画院。
7.
Contrast between Landscape Painting Creation and Deep Meditation of Chan Buddism
山水画艺术创作与南北禅宗修为方式的话语对照
8.
Why painting: The study of the spirits on Lingnsn Painting School;
画者何为——岭南画派绘画思想考察
9.
The southern clans have the characteristics as below: the same bloodline of clan members;
南方宗族势力具有宗族成员的单纯性；
10.
The Nation s Character in Religious Paintings;
宗教绘画中的民族性格——关于中西宗教绘画异同的思考
11.
On the Influence of Chan Sect on the Traditional Chinese Painting Art from the Perspective of its Characteristics after the Rise of Chan Sect;
从禅宗兴起后中国画意境的特点来看禅宗对中国画意境的影响
12.
Between Religion and Painting;
宗教与绘画之间——中国绘画精神中的宗教性问题片论
13.
Style is the Man:Painting and Calligraphy;
画乃吾自画 书乃吾自书——从《平南论画》看魏晋南北朝书画自觉
14.
The depiction of common ,everyday life in art, as opposed to religious or portrait painting for example.
用绘画表现每天普通的生活.反对宗教画和肖像画.
15.
On Religious Thoughts, Social Life and Painting in the Han Dynasty
论汉代的宗教思想、社会生活与绘画
16.
a number of virtuosos emerged in Chinese calligraphy and painting.
出现了开宗立派的专业画家、书法家，
17.
On the Zen Buddhism s Influence on the Thinking Mode of Chinese Literati Painting;
禅宗对中国文人绘画思维方式的影响
18.
The Features of the Painting Theory in "Twelve Avoidances in Chinese Painting";
《绘宗十二忌》画学思想的理论特色