1.
Viewing the Return of Opera Ontology from the Relying on Literature Property--On the Art Ontology of Li Yu′s Opera theory
从文学属性的倚重到戏曲本体的回归——论李渔戏曲理论的艺术本体性
2.
Documentation Value of Opera Scripts and "Script-based Approach to Opera Studies"
戏曲剧本的文献价值与“以戏证戏”
3.
Inter-Borrowings between Traditional Opera and Spoken Drama;
浅析戏曲与话剧的相互借鉴——读谭霈生《戏剧本体论纲》的一点启示
4.
Drama Propagation: the Development of Zhezi Opera,Short Play and Selected Sc Play;
折子戏·短剧·单齣选本与戏曲传播
5.
Prefaces of Kyokutebakin s Novels and Li Yu s View on Dramatics-novels;
曲亭马琴读本序跋与李渔戏曲小说论
6.
Application of "Zhezixi" to Multi-media Instruction of Chinese Ancient Drama Curriculum
折子戏与戏曲相关课程的多媒体教学
7.
Inheritable Relation between the Japanese Traditional Operas and the China s Folk Customs and Explanation of Applied Stereoscopic Coordinate Method;
日本传统戏曲与中国民俗艺能之继承关系与应用立体坐标法解释
8.
On Experience and Performance--the Basic Principles of Roles' Creation by Opera Actors
讲究体验 强调表现——戏曲演员创造角色的基本原则
9.
The Soul of Chinese Traditional Opera--A discussion on the general effects of classical culture on Chinese traditional opera;
戏曲之魂——论元典文化对戏曲艺术的总体影响
10.
The "Negation of Negation" of the Definition of Music form in Chinese Opera Singing;
中国戏曲唱腔曲体界定的“否定之否定”
11.
On“Jiqu and the Variational Style of Banshi”in Chinese Opera Singing;
试论戏曲唱腔的“集曲板式变化体”
12.
The theme representing the music-drama is the same as the content of the dramas basically.
民间美术反映戏曲的主题与戏曲的内容基本上是一致的。
13.
Two Levels of the Xiqu Opera Spreading--On the Basic and Extended Spreading of the Xiqu Opera;
戏曲传播的两个层次——论戏曲的本位传播和延伸传播
14.
Viewing the Changes in the Idea on Opera from the Publication of the Ancient Opera Texts around the Period of Republic;
从民国前后古代戏曲文本的印行看戏曲观念之变迁
15.
Aesthetic Ideal of Traditional Operas On Emphasizing Inherent Qualities--Part of research in Xu Wei’s aesthetic ideology in traditional opera;
“每右本色”的戏曲审美理想——徐渭戏曲美学思想研究之一
16.
The Dramatic Literature of the Ming and Qing Dynasties in Gansu Province;
甘肃明清戏曲抄本初鉴兼论甘肃戏曲文化背景的历史成因
17.
Study on Folk Essentials of the Local Opera s Music Creation in Ming Dynasty;
明代戏曲音乐创作之民间性本质研究
18.
The Research on "Three Selected Volumes of South FuJian Opera and Music Published in the Ming Dynasty" Rhyme;
《明刊闽南戏曲弦管选本三种》用韵研究