1.
Looks at the Contemporary Black Figure Painting of Water Creation Develops by Zhou Sicong Drawing Course
由周思聪的绘画历程看当代水墨人物创作的演变
2.
Splash-ink Scenery Paiting:Its History Present Situation and Contemporary Existence;
泼墨山水:渊源、现状与当代的存在境遇
3.
Double Vision of Water-Ink Animation,Empirical Analysis and my Meager Opinion about Contemporary Survival of Water-Ink Animation
水墨动画的两重视野——水墨动画经验分析和当代生存刍议
4.
Research on the Contemporary Evolvement and Modern Experience of Urban Ink-portrait Painting;
论都市水墨人物画的当代性演变及其现代经验
5.
As A Paradox, Why Does Contemporary Chinese Ink and Wash Painting Name Itself "Modern Ink and Wash;
二元悖反,当代中国水墨书画何以自称“现代”
6.
Shouping Yun "Mogu" Painting to Contemporarye Xpanding Ink and Wash Painting Language Inspiration;
恽寿平的没骨法对当代拓展水墨画语言的启发
7.
Poster Design in Contemporary China Benchmarking Study of Chinese Ink Painting
当代中国招贴设计对中国水墨画的借鉴研究
8.
About Urban Ink Portraits of Contemporary Cultural Backgrounds Consider
关于都市水墨人物画的当代文化背景的思考
9.
The boy inked his clothes when he broke down the ink bottle.
当他把墨水瓶打翻时,他的衣服上沾上了墨水。
10.
Comparison of Chinese Experimental Water-ink Painting and Other Modern Water-ink Forms;
中国实验水墨与其它现代水墨艺术形式之比较
11.
The Aesthetic Ink Color and Culture Implication of Chinese Ancient Ink and Wash Painting;
中国古代水墨画“墨色”审美及其文化意蕴
12.
THE PEASANTRY ISSUE AND POLITICAL STABILITY IN MEXICO
农民问题与当代墨西哥的政治稳定
13.
The Comprehensive Contrast and Contemporary Reflection of Mohist s Educational Thought;
墨子教育思想的纵横比较与当代反思
14.
On"Bian" and"Dang"--Debate Learning of Mohist School and Modern Theory of Debate;
谈“辩”论“当”——墨家辩学与现代论辩理论
15.
As newspapers get rid of the more atavistic elements in their print editions- such as the pages of( inherently out-of-date) share prices- they also save on ink and paper.
当报纸出版商在纸质版本中摆脱了诸如广告页面等隔代遗传的因素，他们也节约了墨水和纸张。
16.
Chinese auction houses that once specialized in traditional ink paintings are now putting contemporary experimental artworks on the block.
一贯专营传统水墨画的中国拍卖行，如今也开始在拍卖作品中加入当代实验艺术作品。
17.
At present time, the abstract Art of Chinese Ink and wash emerges with its unique characteristics of image and expression, taking on some type of multiplex pattern in its development.
在当代抽象水墨以意象性、书写性、表现性等形式出现,呈现多元化的发展格局。
18.
A Oriental Path-The Experimental Spirit of Three Generations
东方之路——三代人的水墨实验精神