1.
The Growth of the Su Shi s Ink-bamboo System;
从王庭筠《墨竹枯槎图》看宋金及元初苏轼体系墨竹的传承
2.
On Su Shi s Colligraphic Thought in the "Ode of Chibi" in the Expression;
论苏轼的书学思想在《赤壁赋》中的体现
3.
Zhuangzi s Influence on the Formation of the Main Style of Sushi s Poems Written in Exile;
论庄子对苏轼谪居诗主体风格的促成
4.
Main disposition of Su Shi s prose explained by his frustrated life;
从苏轼坎坷人生诠释其词的主体情性
5.
On the Relationships between Painting Theory of Su Shi and Metaphysics in Wei and Jin Dynasty;
试论苏轼画论形成与魏晋玄学之关系
6.
Su Shi s Concept of "Form and Spirit" in Painting and the Relationship with Buddhism;
苏轼绘画"形神"观及其与佛教的关系
7.
Realizing and Containing the World Through the Mental Peace and the Blank Sheet--A Study on Sushi s Writing Theory;
静故了群动 空故纳万境——苏轼写作主体论初探
8.
Experience Understanding and Dialogue--A Hermeneutics View of Su Shi s Poems Replying to Mr.Tao Yuanming;
体验·理解·对话——试用现代解释学阐释苏轼《和陶诗》
9.
On Sushi s Perception of Time and Its Relationship with His Aesthetics;
苏轼的时间意识与其文学创作的美学联系
10.
Inherent Relation between Su Shi s View on Rewards and Punishments and His Reform Thought;
苏轼的赏罚观及与其改革思想的内在联系
11.
Hearts Which Have a Common Beat are Linked--SU Shi and 《Poem in reply to Tao》
苏轼的《和陶诗》与陶渊明之间的师承关系初探
12.
A lot of studies have been made in recent years on the relation between Su Shi and Buddhism, but little is done on his Buddhist conduct.
近年来学界对苏轼与佛教的关系研究颇多,却无人研究苏轼自身的佛教行事。
13.
Pleased Sorrows after Withstanding Sufferings──Disposition Embodied by the Subject in Su Shi s Poetical Literature;
抵御苦难之后的快意悲情──论苏轼诗体文学的主体情性
14.
onSeeing about the Association between Sushi and the Brothers of Zenggong--Basing on the Study of T'ung-nien Relation
苏轼与曾巩兄弟交往关系考述——立足于进士同年关系的考察
15.
On the Relation of Poet SU Shi to Alcohol Addiction;
意趣 情趣 理趣——苏轼与酒
16.
Su Shi: Take Essays’ and Research’s Criterion as Poetry’s;
苏轼:以文、学为批评——以苏轼的杜诗“诗史”批评为例
17.
As to aesthetics in his essays, it was mainly embodied with nature.
苏轼散文的审美追求,主要体现在对“自然天成”,即自然美的追求上。
18.
Stereoscopic Reading;
立体阅读——读涂普生《苏轼黄州代表词赋导读与审美》随感