1.
Aesthetic Ideal of Traditional Operas On Emphasizing Inherent Qualities--Part of research in Xu Wei’s aesthetic ideology in traditional opera;
“每右本色”的戏曲审美理想——徐渭戏曲美学思想研究之一
2.
The Moral of Sishengyuan;
戏中戏的寓意——徐渭《四声猿》别解
3.
Three Subjects in Reading Qu--Reading notes of Xu Shuofang talking about XiQU;
说曲三题——读《徐朔方说戏曲》札记
4.
Xu-Fu zhuo s Theories of Traditional Opera and His Practices in His Literary and Artistic Creation;
徐复祚的戏曲理论及其在创作中的体现
5.
The Fate of Xu Wei and a Study of His Tragedy--Tracing Xu Wei s artistic ideas to their origins;
徐渭的命运遭遇及其悲剧性之考察——徐渭艺术观念探源之一
6.
The "Weicheng Qu" Sung in the Song Dynasty and the "Weicheng Style";
《渭城曲》在宋代的歌唱与“渭城体”
7.
The Research on Theoretical Connotation and Value of Xu Wei s BENSE Theory;
徐渭“本色”论的理论内涵及价值研究
8.
The Study of Transformation about Xu Wei s Calligraphy and Painting in Ming Dynasty;
明代中后期徐渭书画转型的成因研究
9.
Learn from the Ancients,the Present and the Intrapersonality--About the forming reasons for Xu Wei s essay style;
师古 师今 师心——论徐渭的散文创作
10.
Xu Wei s Aesthetic Thought of Conciseness: A Single-angle View;
观其一节:徐渭尚简尚短的美学思想
11.
Agreement and Disagreement of Xu Wei’s Prose and His Self-persistence Theory;
徐渭创作实践与“真我”理论的离合
12.
A Re-interpretation of Innovativeness of Xu Wei and Huang Daozhou s Calligraphy;
对徐渭和黄道周书法创新的重新阐释
13.
On MI Fu's and XU Wei's Aesthetic Interest from Their Calligraphic and Painting Art
从米芾、徐渭书画艺术透视其审美意趣
14.
Ren learned figure painting from Chen Laolian, flower and bird painting from Xu Xi and Yun Gu, and free sketch painting from Xu Wei and Zhu Da.
任伯年学陈老莲人物，学徐熙、恽格没骨花鸟，学徐渭、朱耷写意，
15.
Textual Research in Xu Wei s Publishing Activities--Concurrent Discussion on the Publishing Date of "First Collected Works of Xu Wenchang;
徐渭自刻文集活动考述——兼及《徐文长初集》的刊年问题
16.
Comment on XuWei s Poetries;
迕世文章今犹在 一腔畸愤几人知——徐渭诗歌论
17.
On the Typical XU Wei-Feature of The Romance of the Western Chamber Cited in Jin Ping Mei;
论《金瓶梅》所借用的《西厢记》有明显的徐渭特色
18.
The Tragic Sense of the Feeling of Nowhere to Find A Proper Position--One of the sum up of Xu Wei′s painting imago;
托足无门的悲剧意识——徐渭绘画意象综论之一