1.
The Quanzhen Jiao s Influence to the Play Thoughts of MA Zhi-yuan;
全真教对马致远杂剧思想内容的影响
2.
Between Expression and Re-expression--On Subjectivity of Ma Zhiyuan's Zaju
在表现与再现之间——论马致远杂剧的创作主体性
3.
Copper pea" and "Celestial Being Ma;
“铜豌豆“与“马神仙“——试论关汉卿、马致远杂剧创作倾向之不同
4.
On the Artistic Creation in the Autumn in Palace by Ma Zhiyuan;
论马致远的创作心态与杂剧《汉宫秋》
5.
National Consciousness and the Feeling of Standing Aloof from Worldly Affairs in Immortal Drama;
马致远“仙道”剧中的民族意识与隐士情怀
6.
From HUANGLIANG DREAM to Look at the Cultural Significance of the Immortal-taoism Operas by MaZhiyuan;
从《黄粱梦》看马致远“神仙道化”剧的文化意义
7.
A Tragedy of Traditional Scholars--On Ma Zhiyuan s Autumn in Palace;
一部传统文人的人生悲剧——也谈马致远的《汉宫秋》
8.
A comparison between the non-dramatic songs by Ma zhiyuan and by Zhang Kejiu;
以剧曲为曲与以词为曲——马致远与张可久散曲之比较
9.
Ancient Chinese Scholars Consciousness of Tragedy;
中国古代文人的悲剧意识——从马致远《天净沙·秋思》说起
10.
The Structure of Contradiction of Ma Zhiyuan's Drama about Immortal and Taoism
痛苦的生命超越——论马致远神仙道化剧的矛盾结构
11.
The Scenario is Like a Boat--Interpreting HUANG Yuan-sheng s On New Plays;
脚本如船——解读黄远生的《新剧杂论》
12.
Fresh Ideas on the Cultural Significance of Horses--On MA Zhi-yuan s Non-dramatic Song“Borrowing Horse”;
“马”的文化意义新探——重读马致远《耍孩儿·借马》
13.
The author seem uncertain whether he is write a comedy or a tragedy, so the play fall between two stool.
作者似乎拿不定主意是写喜剧还是写悲剧, 致使这个剧非驴非马。
14.
The author seems uncertain whether he is writing a comedy or a tragedy, so the play falls between two stools.
作者似乎拿不定主意是写喜剧还是写悲剧, 致使这个剧非驴非马.
15.
The author seemed uncertain whether he should write a comedy or a tragedy, so the play fell between two stools.
作者似乎拿不定主意是写喜剧还是写悲剧，致使这个剧非驴非马。
16.
On Ma Zhiyuan s Thought in Autumn, to the Melody of Yexingchuan, Shuangdiao;
马致远《双调·夜行船·秋思》探析
17.
The Questing of Life Ideas In Ma ZhiYuan s 4 Immortal Dramas;
马致远神仙道化戏对生活理念的追问
18.
A traveler on a Parti-colored Old Horse--Concurrently on Wang Meng s Loyalty and Others;
骑着杂色老马的远游——兼谈王蒙的忠诚与其他